What Do You Expect?

by:

Joe Patti

A dance professor at my school is trying to revive a dance festival which has, for various reasons, not been produced the last four years. It is an invitational event that has included pieces from college, high school, community dance schools and professional companies. Essentially, groups have ten minutes to show off their best stuff and wow the audience.

As the professor was following up on the invitations, one of the group leaders told the professor he didn’t want to expose his students to our audiences whom he likened to football crowds. The professor was shaken so I followed up with the group leader to ascertain whether he was referring to all our audiences or just the audiences at this event and to discover if his comments were misinterpreted.

It turns out that they weren’t. He felt the audience, which is generally comprised of family and friends of the dancers, needed to be educated about how to behave. He admitted he didn’t know how that might be accomplished as lecturing folks before a performance on decorum would probably make people resentful.

I don’t know the history of dance enough to know if formal performances (as opposed to dancing at festivals and balls where attendees participated) were once as boisterous affairs as theatre and classical music performances apparently were. If there is a trend away from passively sitting and watching, will enthusiastic reactions become the norm in the near to mid future?

Arguments for quiet can be compelling in situations where physical harm may result from distractions. I was speaking to a teacher of middle and high school students who said that it took her school five years of explaining why loud reactions might result in people getting hurt.

Others have pointed out the obvious solution. If you know the audience is going to be boisterous months in advance, you plan a program that won’t imperil the dancers. Since no group has much more than 10-15 minutes to perform, it isn’t as if they would run out of safe material.

The festival format is less structured than the typical dance performance so some degree of informality is to be expected. Not to mention that in an attempt to fill the house, the dancers are strongly encouraged to promote the show and sell tickets so the audience is going to be family and friends virtually by default.

More importantly, there is no guarantee that students of any performance discipline will always be plying their craft in front of refined audiences. Exposure to a “misbehaving” group can be a valuable one. The festival audience may be loud, but they are supportive. There is no guarantee that this will always be the case, either.

The comment about the festival audiences stirred up some emotions and discussion about audience expectations, both what performers should reasonably expect from them and what they may be expecting of their relationship with the performers. I have a feeling the conversations are going to continue for the next couple days as the discussion spreads among colleagues in an attempt to sort thoughts and feelings.

All Purpose Solutions=No Reason To Support

by:

Joe Patti

There was a very powerful illustration in Spike Online this week about why the arts industry should be careful about promoting benefits of artistic activity that don’t include artistic qualities.

Tiffany Jenkins notes that recently seven major arts entities in England teamed up on a proposal that stated funding the arts “will improve: ‘participation’, ‘self-esteem’ ‘community cohesion’, social regeneration’, ‘economic vitality’ and ‘health’.”

Also recently, Prime Minister Gordon Brown stated that the 2012 Olympics “will increase volunteering, create community cohesion and tackle obesity.” The Treasury has suggested the games will result in “urban regeneration, to economic prosperity.”

Says Jenkins (my emphasis)-

Hence culture and sport find themselves competing, not as discreet public goods or ends in their own right, but as interchangeable vehicles aiming to deliver on a set of identical priorities, which does neither of them any favours. Once the arts are viewed merely as a tool for delivering prescribed economic or social outcomes, there is no reason why the arts should be favoured.

A bit of background if you hadn’t been following the news- The arts community in England is quite upset because their funding got cut by

Selling You Everything, Including the Server That Processed Your Order

by:

Joe Patti

It looks like Amazon has decided since they have gone to the trouble of putting together a sophisticated purchasing system to sell goods, they might as well make money giving people access to their system and computing capacity.

According to Non-profit Tech blog, Amazon’s offer of access to their Flexible Payment System can be a boon to non-profits. As a person who is familiar with these types of systems, Allan at Non-Profit Tech Blog clearly sees more possibilities than do I. I suspect that the opportunities I see are too grounded in what is already being done rather than what is possible.

The benefits I can immediately see are that the system they offer uses their already familiar interface. If a person has an account with Amazon, they can use the credit card on file to purchase from you.

Because of all the options and conditions you can impose upon sales, it appears as if it would be easy to create all sorts of discount packages based on innumerable combinations of things people ordered. Helpful for subscription ticket packages as well as museum gift shops.

From what I can tell it would be a great tool to use with donors who want to spread their donation out across many months because it allows you to automatically charge people on a regular basis.

The people I think it might be a real valuable tool for are central arts councils in rural or suburban areas that fundraise for member organizations who don’t have the resources to do their own development. The Amazon tool allows for the transfer of money from one person straight to a third party.

So a donor could visit the arts council website and have their donation go into Small Town Historical Society’s bank account. The arts council can choose to have a percentage removed to help pay the IT person who keeps the donor system running if they like.

If you have a savvy IT person on staff or on your board of directors, it might be worth having them look at the entry and Amazon’s page to determine what the other possibilities might be.

Unlikely Bedfellow

by:

Joe Patti

Well it seems that Fractured Atlas isn’t just an information resource any more. Thanks to eagle eye folks at TheatreForte, I recently learned they have started a blog as well.

As you might imagine, they have entries on a number of interesting subjects. The one that caught my eye was a little quiz Adam Huttler ran about which presidential candidate was the source of quotes on the importance of arts education, including this one.

“I tend to think that one of the greatest mistakes in education over the past generation has been that many school districts have cut their budgets in music and art programs. And in doing so, they’ve done one of the dumbest things that could ever be done that really is harmful to students in this country.”

The answer to the little quiz was Arkansas governor Mike Huckabee. He made the comments before an audience at a Baptist University and based his sentiment partially on the idea that human’s reflect the creativity of the divine in who’s image they were shaped.

I was a little skeptical about his sincerity, especially when it appeared he had made the faux pas of endorsing a book he hadn’t read by encouraging his audience to read Richard Florida’s Rise of the Creative Class. As Huttler notes, the book says that creativity thrives in communities where homosexuals can live openly.

But Gov. Huckabee seems fully invested in the idea. He has signed mandatory arts education into law and made arts education the theme of his term as chairman of the Education Commission of the States. In his address he says the country is failing it’s children by perpetuating a system that only emphasizes left brain learning.

Unfortunately, most of Gov. Huckabee’s other political views put him outside my consideration. This is just another example of how one should not categorize a person entirely by a label. While people holding liberal view are often more in sympathy with the arts, I have personally lived in a state where Republicans were resisting Democrat cuts to the arts during budget negotiations. Given that the arts groups were proving to be well organized that year and the Republicans may have seen an advantage in taking up their cause when normally they might not have.

Politics makes strange bedfellows they say.* Sometimes there is benefit in considering unfamiliar bedmates.

*Though Charles Dudley Warner said it first, adapted from Shakespeare’s Tempest..