Put My Partially Irish Butt In Your Seats

by:

Joe Patti

This coming July I will be vacationing in Ireland. When I visited China last year, Drew McManus suggested I take pictures of performing arts spaces and do entries on the arts in China. My travels kept me mostly in the countryside and with a big group so there wasn’t any opportunity.

This year, however, there will be more time to see the sights and take small side trips. I have already started scouting out places but tourism websites don’t necessarily give the most complete picture about available opportunities. I have also noticed that scheduled events end before my arrival so I might need to make special arrangements to tour buildings.

So if you are associated with some great performance and visual arts spaces and I can stop by this summer, let me know! If I can get a tour, participate in one of your events, chat about the state of the arts in Ireland over drinks or a meal, it would only add to the experience.

Now the bad news. Our plans, alas, don’t take us to Dublin much to my sorrow. So much exciting stuff to see that I will miss! More’s the pity since I am pretty sure I have some periodic readers from Dublin and that is where an invitation is likely to come.

I am pleased that I will be in Galway on the opening day of the Galway Arts Festival. (But alas, not any more than that.) I will be visiting County Limerick, County Tipperary, Dingle Peninsula, Ring of Kerry, County Offaly and County Galway.

So if something is possible, let me know- Buttsintheseats@mindspring.com Otherwise, keep your eyes open for a strange American pressing his nose against your windows.

Destroy Your Way To New Audiences

by:

Joe Patti

Have you been trying to attract new audiences to your organization but are at wits end to find productive programs? Have you tried open houses with barbecues, dinners before performances, cocktails after, ice cream socials, performance talks, tables at community street fairs, ticket give aways, donations to popular charities and pretty much everything inside out and in between?

How about renting a mobile shredder?

I will admit, this isn’t my idea. I saw a sign tonight inviting people to engage in some Spring cleaning and bring their sensitive documents to be shredded. While there people can participate in a potluck/streetfair type event.

It struck me that this is the type of community service an organization could offer that will NEVER in a million years show up on a survey as something you could do to help the community. It is one of those things people need but don’t realize they need when asked.

This is also the sort of thing that breaks down barriers to attendance. You advertise an open house barbecue picnic at your organization and as someone who has never been to an arts organization, I might figure the only difference between the picnic and attending a performance is good ribs. Faced with the prospect of being the only person there who doesn’t know how to speak theatre/ballet/classical music/visual art, there may still be a high anxiety factor even if I don’t have to go into the building.

A shredder truck in the parking lot on the other hand is a service I can actually use. While I am there, maybe I grab some hamburgers and look around a little. If things get a little uncomfortable, the shredder provides my excuse as I notice the line is getting shorter, excuse myself and go over there. Heck, there isn’t much danger in bringing the kids either. Even if the arts stuff doesn’t appeal to them, watching papers get consumed by a giant machine is always interesting.

In fact, if you plan some family friendly performances, be prepared to be upstaged by the shredder truck regardless of how positively inclined the parents might be toward you. All the moving parts may not be visible, but as we all know, imagination can be pretty powerful nonetheless.

The simple truth is that maybe people will come to your picnic, shred their papers and tour your spaces for five years before they show up to a performance or maybe they don’t ever come to a performance. The good will you generate and decreased intimidation factor of your building can manifest positively in other ways, including good word of mouth to other people.

More Economic Alfalfa

by:

Joe Patti

Back in March I linked to a story about how Philadelphia was trying to revitalize its South Street district by arranging for artists to temporarily take over empty storefronts.

Artsjournal featured a story from The Guardian today about a similar effort in London which seemed to be designed a little more constructively for artists. My concern about the Philadelphia initiative was that the artists’ tenure in the spaces was rather tenuous. In London’s case, the project is arranged by the South London Gallery who has secured a three year lease and will place artists in the stores for six month residencies. While this may ultimately be a much shorter time than the participants in the Philadelphia program will enjoy, at least the parameters are known from the start.

In fact, The Guardian piece acknowledges just how unstable such an arrangement can be. Referring to arrangements like the one in Philadelphia where landlords are persuaded to offer storefronts for free or low cost, Stroud Valleys Artspace director Jo Leahy notes,

“The downside for the artist is that they’re welcomed with open arms during the recession, they help to regenerate an area – and then they get tossed out when they’re no longer needed, because the economy picks up and the rents go up. So it’s worth having eye on the future, and trying to insure yourself for when times improve.”

And the good the artists’ residencies did for the city of Gloucestershire was measurable. Leahy notes that the 25 storefronts her program utilized in 13 years rented easily when her organization moved out. Even more importantly, it warded against the encroachment of negative influences.

“Leahy adds that the estate agent she works with has reported lower rates of vandalism in shops used by artists, as opposed to those that are left empty. Art in shops puts the feelgood factor back, she argues. “It’s another way of judging a town. We’re used to measuring a place by how busy the cash tills are. This is about measuring somewhere by its ideas, by the things that people are making happen here.”

What I thought was most constructive about the project South London Gallery is spearheading is that they are not merely content to plant artists in the storefronts and hope something grows. South London Gallery, which has an outreach manager, is hoping to bring arts exposure to the neighborhood in which they are located but whose residents they rarely see enter their doors. While they hope the people do one day come to the gallery, their immediate goal is to “demystify the process of creating art, taking it away from the private studio” and locating working artists in the familiar space of a business people used to patronize.

Traditional Canon Still Brave New World For Many

by:

Joe Patti

Today was the presentation of final projects for the Semester of Shakespeare the literature classes participate in. (It is also the observation of Shakespeare’s birthday!) I have a little bit of a personal investment in the event because I encouraged the literature people to engage in interdisciplinary events with some performances we were presenting a few years back. The literature professors ran with it and have done something on a different Shakespearean play since then. This has included public viewings of films, stage combat classes and interaction with period music. It all ends with an event like tonight’s. The students present projects in the theatre courtyard and then everyone comes inside to watch performances of excerpts from the script and period music. This year’s play was The Tempest. Some of the projects were pretty clever and included trivia games where you advanced on a board laid out on the ground and wore some costume pieces. Others looked like they stole action figurines from younger brothers that morning to glue on poster board. Actually, there was one group that used action figures to make their own movie version of the play. Another group used the old vortex in a soda bottle science experiment in order to create a sort of literal representation of a tempest. Shakespeare may seem like a poor choice as a recurring theme since his works are essentially the default people envision when they think of plays. The NEA’s Shakespeare Initiative was seen by many as an attempt to appease critics because his works were seen as generally non-offensive. (There is plenty fodder for controversy, but it is a known quantity.) While the language is perceived as challenging, the ubiquitous presence of the plays and their influence on culture means they aren’t really seen as pushing any boundaries. The number of times I have seen The Tempest alone…. Hard as it is to believe, there are quite a few people for whom the plays are completely new and represent virgin horizons. What has been analyzed, interpreted and reimagined to death for some of us, comprises the pinnacle of cultural mastery to many with little experience with the works. No small number observed that tonight was their first time in a theatre as I helped hand out playbills. For that alone, the literature department’s efforts tastes a little of victory to me. (Also, a lot of the students baked cookies for their displays. I had been tied up with work into the evening so it also tasted like dinner.) The hope I think we all share is that the students find the experience of this past semester an enriching one that cultivates an appreciation for Shakespeare and theatre. They certainly had to delve into the themes and language to produce their projects. One student rendered a scene into the local creole which meant he had to understand the original text fairly well. Now if the professors really want to get their students’ interested, they will choose Titus Andronicus. It has ludicrous amounts of blood and gore to hold everyone’s attention and except for Julie Taymor’s film version, I have never seen it.