Basics

What if every music school or “conservatory” emphasized what’s really happening out there now as part of their basic teaching curriculum, instead of what was happening 15 years ago? – “classical” musicians are no longer limited to an orchestra, solo, or chamber music career.  – because of technology and all the platforms available to convey your own idea, project, or concept, nobody can hold you back. – that whatever you do in the arts can make a huge difference in any community, not just “big” cities or markets. It just depends on … Continue Reading

Reset

Hello again. Sorry for the delay; most of you know know the reasons by now. Many have reached out to me directly with messages of empathy and support. I’m extremely grateful for that. So here I am again, maybe writing less each time but more often. I hope someone reading this will occasionally pause and think. Or not think and just gain something from it. In the process of starting up again, we realized the old database was disabled. So if you’d like timely updates of any postings, please resubscribe in the … Continue Reading

Hiatus

I love writing for nondivisi and have cherished the opportunity to do so, however sporadic the content and quality have been. But with a heavy heart I must inform you that nondivisi is now on indefinite hiatus, due to a serious illness within my immediate family.

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Shameless Self-Promotion Dept.

Many people know I’m extremely fortunate to play on an incredible violin that’s gained even more notoriety over the past couple of years. One of the numerous challenges after it was stolen was to try and pick up where I left off artistically and otherwise, which in reality ended up being much more difficult than I’d anticipated. In any case, I’m happy to announce that tomorrow (May 6)  A Violin’s Life, Vol. 2 will be officially released, after a long and winding road.

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My Endless Summer

In 1979 I was 15 years old and not sure I wanted to play the violin anymore; I was in my hometown of San Diego coming off a hiatus of about a year or so. The only reason I was hanging in was because I’d just started with a new teacher who somehow intuitively knew that what I really needed was some quality guidance and a highly structured practice regimen. And maybe a summer of hard work. My mom drove me to the local auditions for BU’s Tanglewood Institute, but I had no idea how that summer would change my life.

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The Bitter End

I first met Christopher Ling around 1994, a few years after he’d relocated to Beaumont, TX from Manchester, UK (!) and was thinking about starting a management company for classical musicians. I can’t remember exactly how our paths crossed, but I was working a lot with the Ft. Worth Symphony at the time as concertmaster, often back and forth from NYC. That universe was small, and somehow we ended up on the phone one day. I would’ve never imagined the horrific conclusion.

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