Ruthless In War, Benevolent in Peace

by:

Joe Patti

In an attempt to dance with the one that brung me and pay local culture its due, I wanted to mention a production we presented this weekend. One of our consortium partners re-mounted a production about the life of the last pre-Contact chief of Maui island, Kahekili. The original performance was about 10 years ago. The current production expands on the original and marks the first time the National Endowment for the Arts has recognized hula kahiko with in their American Masterpieces grant program.

I don’t usually promote performances on my blog but I do feel some loyalty to culture in which I am living. Productions of this kind which expand on traditional hula performances are few and far between so I am eager to advance what I feel is a part of a renaissance in Hawaiian culture.

What I find fascinating about the story of Kahekili is the parallels to Arthurian legend. Kahekili essentially ruled 7 of the 8 major Hawaiian islands through either conquest or capitulation. Unfortunately, like Uther, he couldn’t close the deal and unite all into all into a single kingdom. That fell to Kamehameha the Great who is said to be Kahekili’s son. Since Kamehameha didn’t live in the Maui court there is a sense that like Arthur, there is some illegitimacy attached. That is where the similarities end. Kamehameha denied Kahekili was his father and even opposed the Maui chief’s conquest of the Big Island of Hawaii.

Since most of Kahekili’s activities occurred prior to Captain Cook’s arrival, it is interesting to see a parallel to Arthurian legend emerge. On the other hand, given that all knowledge was transmitted orally at the time, some alterations to the story to bring it in line with Camelot may have crept in post-Contact. Especially if someone was trying to validate his reign and right to treat with other monarchs and leaders.

The other reason I promote shows like this for the educational elements. During the production’s tour on the U.S. Mainland, the group had to explain the difference between Hawaiian hula and other related forms like Samoan fire knives and the frenetic hips and drumming of Tahitian dance. The one indication the group had that the Hawaii Visitors and Convention Bureau was doing a good job with their advertising was that some people were surprised by the battles portrayed in the show. They thought Hawaiians were all aloha and didn’t fight.

In fact, Kahekili was incredibly ruthless in war. The district our theatre is located in was the site of a particularly infamous massacre by his armies where he wiped out all the noble houses on the island. Any nobles living here after that came from the Neighboring Islands. One of the most scenic spots on the island is the location where Kamehameha’s troops drove their opposition over the cliffs during his conquests.

The production was equally as educational for local audiences as it portrays fertility, wedding and chiefly practices rarely witnessed these days. Kahekili having been eclipsed by Kamehameha, is also not a very well known figure so his story is also informative for the community. The tour is winding down this summer though there are whispers of some interest from a place in Germany. If there is additional interest, who knows what might be arranged….

I have no stake in the success of the show so if there is any interest from my readers, they should contact these folks.

Technology Tip- I Am Dumb

by:

Joe Patti

No, no, no wait. The tip isn’t that I am dumb, it is actually that I am occasionally reminded that I shouldn’t assume a tip I am considering writing on is so self-evident and elementary that I am insulting people by posting it.

I was checking up on Chad Bauman to see how he was faring in his effort to get people to cross the Potomac River to see Arena Stage productions in Virginia. I had posted on his use of Personalize URLS to direct people from their driveway to his driveway. It appears the effort was well worth it as they “have had less than 1/2 of 1 percent of our subscribers ask for a refund.”

In the same entry he talks about a practice he adopted from Repertory Theatre of St. Louis that made me thwak my head for not perceiving the logical extension of things we already do. Essentially Repertory Theatre of St. Louis and now Arena Stage have pages (click on the preceding theatre names in this sentence) containing links so you can tell your friends about a show on the different social networking sites and via email as well as bookmark the page for future reference.

This was the part that convinced me that I shouldn’t think something is too simple to mention. What made me say “Duh” is the fact that while my theatre does offer people the opportunity to send email messages with a performance description automatically inserted into the message body and have a Myspace page allowing people to send event information to Myspace friends, we haven’t it possible to send Myspace alerts from our organizational web page and vice versa. I figure if I missed something this logical, other people may have has well.

There is certainly no wisdom in assuming the Myspace people only get their event information through that site. As with all things technological, I do think there is a limit to the number of modes of communication an arts organization should offer website visitors. The clutter and the surfeit of choices can be alienating.

Like the aforementioned theatres, our stated policy is that we don’t store the email information. At least insomuch as we don’t record any of the information in our databases. A copy of what is sent does get forwarded to my email address alone. Given the tensions I have witnessed arise from students who felt they were miscast, I wanted to make sure no one was using our system to send out messages disparaging cast members by creatively rewriting my show descriptions.

Lately, I have considered making a small alteration to our policy. Since there is usually one person who organized most of the details of any couple/group outing, I was thinking that perhaps we should institute some reward system for those who are recommending our shows to their friends. It wouldn’t be a publicized program. I don’t want people spamming their friends with our show information in order to get prizes. What we would do is simply contact the person and offer them free tickets or something for being so supportive of us.

The change to our policy might be something along the lines of “We will not store the recipient’s email address or the content of the email in any form. We may keep a simple tally of how many times a sender as recommended a show and contact them no more than once a year to inquire on the quality of their experience.”

I am sure I am missing some other logical way that will facilitate attending a performance. If you see it, speak up and submit a comment!

What’s Good For The Brain May Be Mud For the Soul

by:

Joe Patti

As something of a counterpoint to my entry yesterday on how exposure to the arts can benefit one’s neurological development is this National Review piece from December in which Robert Fulford reminds us that arts exposure won’t save your soul or improve your personality.

He quotes George Steiner, “‘We know that a man can play Bach and Schubert and go to his day’s work at Auschwitz in the morning,'” and notes “…we also can’t claim that immersion in the arts will create a lively mind. Art education has produced armies of learned bores.”

He also points out that artists are not imbued with any special grace as people and may possess the most vie personalities even as they produce the most engaging works we have ever encountered.

This observation is has become less true of late as an ever increasing tabloid eye on the activities of celebrities has seen art valued in the context of the artist. This isn’t just a matter of actors being fired from Lost to minimize the bad press from a DUI. There is often trouble with the performance of J.S. Bach’s work given a perception of anti-Semitic sentiments which may have simply been a reflection of the time in which he lived and text which he drew from. (The Gospel of John from which he derived his St. John Passion contains a good deal of derogatory content.)

What Fulford says the arts do guarantee is, “Those who give it their time and love are offered the chance to live more expansive, more enjoyable and deeper lives.” It is somewhat reminiscent of the proverb about leading a horse to water since the arts only afford the opportunity of improvement. Education and religion can also prove uplifting but only if they are embraced. Likewise, exposure to the arts with the intent of developing the neurological structures discussed in yesterday’s entry only becomes meaningful in someone’s life if they value the experience.

This Is Your Brain On Art

by:

Joe Patti

On Artjournal.com was a link to this article on Science Daily about a study the Dana Foundation commissioned on the question of “Are smart people drawn to the arts or does arts training make people smarter?” For three years researchers at a number of universities have studied this question resulting in a recently released report (downloadable as an Acrobat document here.)

I haven’t read the report yet. But the Science Daily article mentions some interesting findings though they repeat the Dana Foundation disclaimer that “Much of this research is of a preliminary nature, yielding several tight correlations but not definitive causal relationships. ”

1. An interest in a performing art leads to a high state of motivation that produces the sustained attention necessary to improve performance and the training of attention that leads to improvement in other domains of cognition.

2. Genetic studies have begun to yield candidate genes that may help explain individual differences in interest in the arts.

3. Specific links exist between high levels of music training and the ability to manipulate information in both working and long-term memory; these links extend beyond the domain of music training.

4. In children, there appear to be specific links between the practice of music and skills in geometrical representation, though not in other forms of numerical representation.

5. Correlations exist between music training and both reading acquisition and sequence learning. One of the central predictors of early literacy, phonological awareness, is correlated with both music training and the development of a specific brain pathway.

6. Training in acting appears to lead to memory improvement through the learning of general skills for manipulating semantic information.

7. Adult self-reported interest in aesthetics is related to a temperamental factor of openness, which in turn is influenced by dopamine-related genes.

8. Learning to dance by effective observation is closely related to learning by physical practice, both in the level of achievement and also the neural substrates that support the organization of complex actions. Effective observational learning may transfer to other cognitive skills.

The Dana Foundation lists suggested directions for research given what has been learned thus far near the bottom of their research summary. To read the list you would think they hadn’t many any progress in the research at all which is probably indicative of just how little study has been devoted to the ways art shapes our neurological processes.

Something that really surprised me comes up in the video of the presentation of findings. Michael Posner of the University of Oregon talks about how liking a particular art form, be it visual arts, linguistic arts, movement arts and music, was independent of other art forms. In other words, an artist is not particularly inclined to like arts in general but rather only find one particularly appealing. He seems to say there are structures in the brain that develop which are aligned with certain activities that exist prior to exposure to information or experience which would predispose someone toward that subject based on how developed those areas of the brain are. There is overlap in many areas, but there is enough separation to make one’s interests independent of each other.

The other important element, Posner says, is an openness to the experience. You need to be open and have certain existent neural pathways to begin developing an affinity for an experience. (Unfortunately, the video has no time index that I can reference for you.) One thing he briefly mentions that made me concerned was the idea that attention needs to be sustained over a long period of time. He talks about this in connection with young children and the fact that kids acquire many of their skills by essentially engaging in repetitive play over a period of time. My concern was based on the general shortening of attention span as people seek constant stimulation from portable technology. I worried about people not cultivating an interest in the arts which will actually indicate a possible lack of important sections of the brain. (i.e. dance skills are connected to observation.)

The one bit of solace is that many kids are more interested in playing with boxes and keys on a ring than they are with what came in the box and maybe likely to develop their brains despite all the things that distract their parents and older siblings. Though it won’t be long before they replicate the behavior of their family members and friends. It should also be noted that the formation of these neural structures isn’t necessarily happening only in children. One of the people in the video admit that there are brain structures developing throughout one’s life whose purpose scientists aren’t necessarily certain about.

But this is only a small part of the study and even the research presentation. My plan is to take a more indepth look at the study soon.