Is Joe Suggesting What I Think He Is Suggesting?!?!!!

by:

Joe Patti

I saw a social media post by Dan Pink today that linked to an NPR story about a program where doctors in Canada can prescribe spending time outdoors and have been provided year long passes to Canada’s national parks they can give to patients.  Unfortunately there are only about 100 passes available.

The story helped me recall other culture pass programs I had written about before like the one in Italy and the Interrail pass for young people that the European Union was sponsoring to encourage them to broaden their horizons through tourism. (And actually still do, even through Covid from what I can see.)

The park pass idea got me thinking that there might be value in a similar program where arts organizations might use tickets and passes distributed through health care channels versus social media and radio giveaways. Yes, the intent of giveaways via media is to raise awareness and a fear of missing out in the larger community so giving tickets away through healthcare channels doesn’t really serve that objective.

There can be value in having an arts organization publicly announcing, “We think it is important that you take care of your physical and mental health so we have provided passes to X clinic/health system to help you try to live your life better.” It can only bolster the perception of the beleaguered healthcare industry to have other entities taking action to support them.

“But waaaiiiiitttt just a minute there, Joe,” you say. “I have been reading your blog for years now and you keep talking about how the prescriptive view of the arts is super problematic. Now you are literally advocating for arts prescriptions.”

You are absolutely right, there is a danger of this sort of program being misinterpreted in that manner which is why it would be important for everyone to communicate very clearly that this is a prescription to spend time together with family and friends. The shared experience rather than specifically the art is what will help them.  We already know that the shared time is one of the things that people value about cultural experiences.  There is also a somewhat implied idea that sitting at home watching TV has not been benefiting your well-being which might contribute to a shift of mindset about arts and cultural over the long term.

Right now this is a germ of an idea. There would need to be further discussion and study about whether a program of this type could be beneficial and what the best approach might be. There has to be a sincere desire to provide a positive experience for people, (so work to solve other negative experiences like parking), rather than use this as a cynical ploy to increase attendance.

Museums Are Secretly Controlled By Big White Paint

by:

Joe Patti

On Hyperallergic today, Isabella Segalovich had a piece, 15 Things Museums Do That Piss Me Off . An avowed museum junkie, she lists what areas in which she would like museums to do a better job.

She roped me in with her first criticism about museums being too quiet by admitting she was the one shushing her mother (who stuck her tongue out at Isabella in response).

Some of the points on her list are familiar gripes – the cost, not allowing pictures, no-touch policy, accessibility for those with disabilities, picture taking policy. She also brings up issues that have arisen comparatively recently in regard to fair pay, more than superficial motions of inclusivity, and the issue of buildings and spaces being named for problematic individuals.

But she makes some newer critiques like the lack of artists living in the towns and cities whose name appears on the building while the same superstar artists’ work is shown again and again. The lack of indigenous works and folk art in “American galleries.” She complains that galleries are too white—as in the paint on the walls–creating the idea that art has to be viewed in a sterile environment.

There is a lot more nuance to her case than I am providing here. I enjoyed the TikTok video she included showing the reason why one was not permitted to touch the art–which actually might make you want to touch the art.

Grateful For The Recognition, But Recognize More To Be Done

by:

Joe Patti

A month ago Ruth Hartt posted an image she grabbed from my venue’s website on Twitter and complimented its presentation on a number of points:

If you follow the link to see the reply, you can see our marketing director’s response to Ruth and David Rohde with another picture of audience members. As she notes, we have actively working on expanding our library of images of the audience experience for the last few years. Between shifting the programming and improving our interactions with customers at different touch points, these images have helped us communicate a more welcoming and inclusive environment. We are definitely seeing some positive results.

Though we obviously have a lot more work to do and can learn a lot from other people. This past weekend we had a family show that was a very late rental for us. Somehow, in the course of two weeks they managed to sell 500 tickets at $30 adults, $20 for kids which we thought was a little high for our market. The audience they attracted was 98% Black despite the content not being specifically aligned to them.

As far as we know, they only promoted the show on social media so we are pretty much in awe of their social media targeting game and knowing their audience. A lot of artists aren’t so on-point and dialed in. It might have been that they aren’t as successful in other communities and their efforts just resonated well here but I’ll give them the benefit of the doubt and say we probably couldn’t have done as well promoting it ourselves.

Kindergarten Art As Social Practice

by:

Joe Patti

You may have heard a short piece on NPR this past week about Peptoc, a hotline where you can hear encouraging words from kindergartners.

 

Call a new hotline, and you’ll get just that — encouraging words from a resilient group of kindergartners.

Kids’ voices will prompt you with a menu of options:

If you’re feeling mad, frustrated or nervous, press 1. If you need words of encouragement and life advice, press 2. If you need a pep talk from kindergartners, press 3. If you need to hear kids laughing with delight, press 4. For encouragement in Spanish, press 5.

[…]

It was put together with the help of teachers Jessica Martin and Asherah Weiss. Martin, who teaches the arts program at the school, says she was inspired by her students’ positive attitudes, despite all they’ve been through — the pandemic, wildfires in the region and just the everyday challenges of being a kid.

Apparently within two days of getting the hotline operational, they were getting around 700 callers an hour.

I became aware of the story on Twitter and what caught my eye and made me follow the link was the statement that the hotline came out of a discussion with the kids about art as social practice. While that is probably not the terminology they used with the kindergartners, it stood out as an example of how it is never too early to start teach kids that artistic practice has a role in our lives other than being viewed as frivolous entertainment.

The pictures accompanying the NPR story show kids putting up posters they made promoting the hotline and delivering some of the same messaging as is found on their hotline.

The concept that you are able to contribute to the greater joy of society as a 5-6 year old has the potential for leaving a long lasting impression on these kids which will shape how they live their lives. In five or six years if these kids are told thousands of people have been calling every day to hear them laugh for half their life, that can really be meaningful.

And of course, if the hotline has helped relieve the stress of millions of adults, that has been a pretty great outcome as well.