Bullets and Hooks For The Arts!

by:

Joe Patti

Amid all the press about the Obama victory last week and the extremely slim margin of votes separating Norm Coleman and Al Franken in Minnesota, you may have missed the news that Minnesotans passed a constitutional amendment to increase the sales tax 3/8 of 1% to fund the cleaning and maintenance of Minnesotan lakes, parks and wildlife areas and to fund the arts.

Arts Go Fishing And Catch Some Money
You may be wondering, as I was, how the arts and culture became a part of the Clean Water, Land and Legacy Amendment. According to a couple sources, sport fishermen and hunters found a common cause with the arts. On the Pioneer Press website, Chris Niskanen writes (my emphasis)

“A small part of the general fund (about $10 million) goes toward arts funding (out of the state’s $34 billion budget), but about one-third was cut during the state’s budget crisis in 2003. The hunting and fishing community at first opposed arts being added to the amendment, but saw arts supporters had similar arguments for funding. The alliance ultimately helped the amendment pass the Legislature and, perhaps, will help it pass on Nov. 4.”


Bait Your Hook With A Powerful Lure-Arts and Culture


But the quote I really liked came from an article Artsjournal.com linked to in which columnist Jay Weiner writes,

“As it was, the pioneers of the amendment idea — the sportsmen with bullets and hooks — were wary enough of the arts being included … until they saw the political power of the statewide arts and cultural organizations.”

My first thought upon reading this was that if this is true, the Minnesota arts community should be the envy of the rest of the country. Every state should be lucky enough to have an arts community with enough political clout to help get a constitutional amendment passed. Of course, that influence didn’t magically appear, the state arts community would have been working on cultivating it over the course of years and probably decades.

If you have any ambition of trying something like this in your state, read Niskanen’s piece which addresses the arguments for and against the amendment.

You may also want to read Weiner’s article which addresses the apparently mocking suggestion that the Minnesota Vikings should have gotten on board the amendment so they could get a stadium. Weiner points out first that as fervent as sports fans in Minnesota are, they never seem to rally behind their teams politically. The other thing he mentions is that berating the arts and parks people perpetuates an environment which keeps sports fans from forming coalitions. Some interesting thoughts on the whole from a sports writer.

Work For Obama? Yes, You Can!

by:

Joe Patti

Get Your Plum
The presidential transition team has set up a website at Change.gov where you can actually apply for a non-career position with the new government. There is a link to the transition directory in the lower right hand corner to give you an idea of what to expect if you apply. Even though it is a similar color, it apparently is not the famed Plum Book though you probably can use it to get a sense of the general department for which you may want to work.

I mention this in hopes some passionate people interested in government service will step forward for the NEA, NEH and other cultural and educational departments. There is certainly a need for competent people to enter public service. A foundation endowing the Wilson School at Princeton University is suing the school for not preparing enough people to enter government.

What You Should Really Look At
Even if you have no ambition to work for the government, you may want to contribute at the American Moment: Share Your Vision link. I am sure there are a lot of people with millions of ideas who will contribute via this page and anything we send may get lost in the crush. Still there is a better chance of something happening than if nothing is said.

The page provides the ability to upload a photo or video. My immediate thought was that if someone knows of a great program out there they should create a well written document supported by images and video. Share your vision for an arts education program based on something that works in at a school district in Montana. Talk about the way the local government partnered with industry to lead community investment in that arts center overlooking Lake Erie. Tell them about your idea for changing the tax code to provide arts organizations with other alternatives to the 501 (c) (3) structure. I had no intent of submitting anything myself, but now as I write, I begin to have some ideas.

Fake Violence Can Still Be Traumatic

by:

Joe Patti

Via Artsjournal.com is an interesting article on how actors deal with inflicting violence on one another. Even though it is simulated, the very personal, brutal actions the performers replicate can have a psychological impact on them.

Acting Comes Between Us
I have been involved with two productions of Extremities, a play in which a woman is attacked in her home by a man intent on raping her. She gains control of the situation and takes her revenge on him. The actors get physically close to enacting the rape and when the tables are turned, the would be rapist is half blinded, tied up in a fireplace with his intended victim threatening to burn him. In both productions I have been associated with the two primary actors had to take showers afterward to cleanse themselves of the psychic and emotional baggage of the show. People who were close friends found an uneasiness crept into their relationships during the production. They had to reassure and reconnect with each other after every performance to essentially ground themselves.

I know much of this because rape as a subject matter lent itself to many outreach and audience talk back sessions. On one production one of my responsibilities was to make extra sure that family and friends didn’t make their way backstage before the actors had an opportunity to reoriented themselves.

Hopefully No Wrong Ideas About Method Acting
As far as I know, no one went out and engaged in violent behavior in order to prepare for the performance. I think what disturbed each person so much wasn’t that they had so much simulated violence directed at them as that they found something to tap into within themselves to fabricate a credible portrayal. Knowing that the potential for that sort of thing exists within you and your friends can be pretty unsettling.

Coping Mechanisms for Violent Acting
As I read the NY Times article about how the how London actors insulated themselves from their actions, I wondered if that sort of strategy was widely used by actors. It certainly didn’t seem that way with the highly charged productions I have been involved in. I also wondered if theatres who produce these types of shows make alterations to their normal practices and give the performers extra time and dedicated spaces to wind down after performances.

I would be interested in hearing about other people’s experiences either in the comments section or by email.

Where Is The Love?

by:

Joe Patti

Where Is That “Yes, We Can Spirit?”
Well, whatever optimism people may have felt about Obama becoming president-elect, it apparently wasn’t enough to offset pessimism over the economy. Not only did the Dow drop 480 some points but I got two separate calls about problems with some tours. Even though the difficulties occur after the performers leave my venue, the whole situation reverberates up the line in the form of inquiries about how flexible I am on a number of matters.

Where Is My Partner?
Then I get a call from one of my partners about a third tour. Given everything that has happened until now, I thought her organization might cancel on a tour too. My fears were compounded by the fact I can’t reach her all morning and suddenly her phone is ringing busy for hours on end. Has she left the phone of the hook so she doesn’t have to tell me the bad news? (Then why did she call me?) Imagine my relief when I realized there was a problem with entire organization’s phone system that was causing it to ring busy and when I learned she had misplaced her copy of the tour contract I am lead partner on and had a simple question.

Where Is This All Going?
When I wrote about the possible impacts of the economic downturn a few weeks ago, I half imagined I wouldn’t have any practical interaction with any of the consequences I was mentioning. If anything, I thought it would be me negatively affecting other people–though there is still plenty of time for that to come to pass.

Where Is the Money!
One semi-positive occurrence this week. The amount the state arts foundation grant panel elected to award us was more than we expected. The bad news is that I found out at 4 pm Monday that the revised proposal was due this Friday. So there was a little bit of a rush since there are two layers of bureaucracy which must review my proposal before it could be submitted and the didn’t work on election day. Of course, the whole process is embraced by the caveat that I may get no reward for my expeditious handling of the paperwork if the governor decides to defund the state foundation.

I also have the sneaking suspicion that the larger than expected grant award is based on the assumption that few will be able to meet the fast deadline and if there is any money to disburse, there will be fewer people to split it between.