Man, Can That Wiggly Opera Quartet Sing

by:

Joe Patti

Grateful hat tip to the Arts and Management Technology Lab at Carnegie Mellon University for calling attention to Blob Opera, a fun little experiment on Google Arts and Culture.

It introduces concepts about pitch, sung vowel sounds and the highest voice leading harmony in the quick tutorial where you drag blob figures that sing the bass, tenor, mezzo and soprano parts. From there you can play around, record, and share your own compositions.

There is a pre-recorded selection of Christmas carols you can play, but even those you can manipulate by taking control of the figures mid-concert, selectively muting different parts.

Even if your organization isn’t involved with opera, this can be something interesting to share in newsletters and on social media accounts to erode any sense of intimidation people may feel regarding creative arts.

Also, you may want to bookmark it and fool around with it yourself on occasion. Colorful blobs singing vowel sounds operatically has a soothing, therapeutic quality.

Hassle-Free Refunds And Disney Pays Ticketing Fees? We Could Get Used To This

by:

Joe Patti

So it appears Howard Sherman gets first mention a second day in a row on my blog (not that he doesn’t deserve it). He called attention to the fact the production The Lion King on Broadway was not only offering free refunds and exchanges on ticket purchases, but Disney would be picking up the dreaded Ticketmaster service fees. Apparently Disney is doing the same for Aladdin through August 7, 2022

I actually went online to price tickets to see what they were charging and at the end of September I found third row orchestra seats for The Lion King at $125 which didn’t seem too bad. Though I don’t know what they were selling for in February 2020.

I was so amazed at this, I wondered to my co-workers if this might not turn into an industry trend that the public came to expect. I hadn’t thought to check if other shows were doing the same thing until I saw a tweet by journalist/critic Jonathan Mandell linking to the refund/exchange policy which applies to all Broadway theaters owned by the Nederlander Organization., including the Minskoff Theatre where Lion King is showing. I didn’t see any expiration date on this offer.

The Shubert Organization which owns the Telecharge ticketing service as well as some Broadway houses is offering free refunds and exchanges through January 17, 2022.

I didn’t see anything about refunds and exchanges on the Jujamcyn Theaters website, the company that owns a number of other Broadway Theaters. But it should be noted they also didn’t have tickets for any of their shows on sale either.

Getting back to the question of whether waiving ticket service fees might become a thing, this is something my staff and I have been discussing for a few years now. (Truth be told, the staffs of different theaters at which I have worked have been talking about it for about 10-15 years now.)

We have been trending toward including the fees in the advertised price of the tickets, however many of those who rent our venue have wanted it added on top at check out. Because it is different from the usual experience it occasionally elicits a “hey wait a minute…” response from some of our more frequent attendees.

You have to wonder if people come to see this as a normal experience based on their Broadway experience, will there be pressure to continue the practice indefinitely?

Of course, this doesn’t even mention the free, no questions asked exchange policy. There are restrictions as to number of times you can request an exchange and people who buy tickets from resale market or 3rd parties are probably going to have issues if their name and contact information aren’t associated with the tickets. But expectations may shift in toward hassle-free refunds, especially if the threat of Covid continues to loom in the background generally for some years to come.

Who You Calling Dormant?

by:

Joe Patti

So much appreciation to Howard Sherman for his commentary on Twitter last week about a statement by the Broadway League that re-opening Broadway meant the return of a dormant industry.

In the tweets that followed the one above, Sherman notes that the 40 theaters that comprise Broadway are not the entire industry and that the artists and companies around the country have been far from dormant, expending a great deal of effort to reach out to communities with new approaches. Or by bringing renewed attention to underused formats like audio dramas.

The whole thread is only 10 tweets with a couple postscripts, but in case people were thinking of skipping it I wanted to call attention to his thoughts about the concept of “restart”:

Masks Still Matter A lot

by:

Joe Patti

Last week Colleen Dilenschneider released recent findings compiled by her colleagues at IMPACTS Experience about audience willingness to return to cultural organizations. By and large, mask wearing still matters a great deal to potential audiences.

She offers the caveat that this data was collected during first quarter of 2021 so attitudes may shift as vaccination rates increase and the weather trends warmer. However, she points out that mask requirements became the top concern in their surveys last July and the number of people identifying that as a concern only increased. In this most recent survey, it averaged 7.9 out of 10 nationally for interactions with any public serving entity, not just cultural organizations. (If you haven’t seen her data before, it is organized regionally in terms of similarity of attitudes which doesn’t always align with geographic proximity.)

Pay particular attention to the last paragraph below:

Most potential visitors lean toward masks being “absolutely essential,” despite variance by region. Nationally (and including states not shown here), those who plan to attend visitor-serving entities say that mandatory masks are essential at a value of 7.9 on a 10.0 scale. On the whole, people who plan to visit any cultural organization in the next three months consider face coverings as essential to their safety.

[…]

Not requiring masks makes a meaningful number of people in every region uncomfortable. And here’s the kicker: Research suggests that not requiring masks will have a much greater negative impact on attendance than requiring them for the vast majority of organizations.

[…]

Not only that, the top issue contributing to onsite dissatisfaction for cultural organizations is still staff members neglecting to enforce mask mandates and social distancing rules. The safety of visitors is now identified as a primary role for staff members according to guests. It’s in our best interests to take that expectation seriously.