Will Airline Fraud Provide Impetus For Google To Stamp Out Clone Ticketing Sites?

by:

Joe Patti

About a month ago, I wrote about the Fix the Tix Coalition which is advocating for laws to change exploitative ticket practices. Among the practices they were trying to change is websites masquerading as the official ticketing site of different venues.

Speaking from personal experience, the venue I run has a ticketing service that took out a Google ad smack in the middle of our venue listing on the Google results page.  Even though there is a button labeled for our website, we have tons of people that follow the fake link, buy tickets for many times the list price and swear up and down they bought them from us.

Well it seems scammers are doing a similar thing with the Google results for major airlines. According to an NBC News story, scammers have managed to change to list different telephone numbers for the airlines.  When people call to make or change reservations, they end up giving their credit card number and personal information to a thief.

Instead of reaching a Delta employee, Evers said he spoke to a man with a thick accent who hung up and called him back from a different number. That man then asked for payment to book a rescheduled flight. Evers recognized it as a scam and scrapped his trip.

He then went on to document six other airlines, including American Airlines, Southwest Airlines and Air France, that had incorrect numbers served up by Google.

[…]

A Google spokesperson said in an emailed statement that the company does “not tolerate this misleading activity.”

“Our teams have already begun reverting the inaccuracies, suspending the malicious accounts involved, and applying additional protections to prevent further abuse,” the spokesperson said.

The spokesperson refused to address questions about how long the problem persisted, how many airlines were successfully impersonated, or why there weren’t better protections in place for major companies like the airlines.

Google has struggled to counter scammers who have learned how to get fake contact information to show up when users look up a company on Google Search or Maps.

While I would hope Google would take steps to eliminate ticketing fraud when they find a way to effectively stamp out the efforts of the folks masquerading as airlines given that they can see what a big problem it is, I suspect performance venues are too small an industry and the ad venue too enticing to inspire them to implement similar measures.

Quotas For Low Value Degrees

by:

Joe Patti

This morning Arts Emergency, a UK based organization which advocates for the arts & humanities and puts a lot of effort into finding mentors for young creatives, post the following on Twitter:

“Hands up who took a ‘low value degree’ & wouldn’t be where you are without it. Hands up who thinks EVERY young person should have the opportunity to do the same. Hands up who thinks higher education shouldn’t be reduced to ‘produces high earners’.”

This was in response to Prime Minister Rishi Sunak’s proposal that cap the number of students universities can accept into “low value” degree programs according to The Guardian.

Courses will be capped that do not have a high proportion of graduates getting a professional job, going into postgraduate study or starting a business, the prime minister will announce on Monday.

[…]

The numbers cap is unlikely to affect the bulk of courses offered by Oxbridge or Russell Group universities, whose students tend to go on to “highly skilled” jobs requiring a degree and above-average earnings.

Critics of the move say that it effectively penalises universities and courses with a high proportion of working-class students, who have fewer financial resources or family support and so are more likely to drop out.

“This will effectively act as a red flag to students. Who wants to apply to a ‘low value’ course?” said one vice-chancellor, who added that universities might also become more cautious over admitting students who might be less likely to graduate or want professional careers.

I don’t know if it was the enthusiasm for the topic or the low level of traffic on Twitter, but my feed was solidly filled by this topic with only a smattering of posts on other topics. It was hard to believe this wasn’t listed as trending.  After scrolling and scrolling I was surprised to see I saw still on posts from seven hours prior. I began to worry I would hit the 600 post limit recently announced for people who didn’t pay to be verified before I got to the original post that started it all.

There were a lot of great responses and I probably missed some of the deeper words of wisdom in the mix, but a very clear, obvious response from Milo Harries caught my eye:

I obviously have a ton of thoughts on this, but really they boil down to:

Does anyone that has ever met me really think I’d have added more value to the world if I’d based my career decisions on money?

If you haven’t seen it already, a similar conversation is bouncing around in the US and I suspect other countries around the world. So it is something to which to pay attention.

Will Lunch Conversations & Bespoke Experiences Replace Fundraising Galas

by:

Joe Patti

A post by Jason Lewis who writes The Butterfly Effect on substack suggests taking a donor to lunch is going to be a much better investment of time and resources when it comes to doing a better job fundraising than taking a webinar on the topic.

If you really want to understand why giving is down, instead of signing up for a webinar promising an in-depth analysis by a panel of fundraising wizards, how about taking a lapsed donor out to lunch? If doing that is all but impossible because you’re too afraid to pick up the phone, you’re overwhelmed with the amount of data you’d have to sift through to identify that donor, or your boss has you panicked about tablecloths and wine for the fall gala, anything you’re going to hear in that webinar isn’t going to help.

What Lewis essentially says is that like arts and culture audiences, donors are less interested in taking a passive role with their giving and want to be more interactively engaged. An increasing number of people don’t view themselves as socialites who attend big galas and would instead like to have a closer view and relationship with the causes they are being asked to support.

The effect is an irrevocable shift from a broadcast model in which a relative few control the message to a democratized model where the message is co-created. Shirky’s insights about what it means to live in the twenty-first century is why we encourage our clients not to see themselves as master technicians attempting to manipulate and control their donor’s experience and, instead, engage their donors in ways that allow them to play active roles in creating meaningful experiences for themselves.

[…]

Our donors want to play an active role in determining what their giving experiences are; and they, more so than anyone else, are best qualified to explain to us what those experiences might look like. Arguably, the lunch table is one of the best places for having these kinds of conversations.

Based on the plug at the bottom of the post, it appears Jason Lewis is a member of a company that promotes responsive fundraising which presumably advocates for this sort of approach as part of their consulting practice.

Will Irish Artists Sleep Better With A Guaranteed Basic Income

by:

Joe Patti

I have written before about Ireland’s plan to provide a guaranteed basic income for artists. A couple weeks ago, NBC News posted a story about the program on their website. In all, 2000 artists, including architects and circus professionals, were chosen from 8000 applicants to receive €325 ($326) a week unconditionally for three years.

There is a breakdown of artists’ disciplines and where they live in a press release the Minister for Tourism, Culture, Arts, Gaeltacht, Sport and the Media put out in September 2022.

What caught my attention in the NBC article was the type of data the Ministry was collecting on artists who were selected and not selected for the program.

Participants have to complete a survey every six months, which asks them about their artistic output and working hours, as well as their sleeping habits and the state of their mental health. The survey also asks about their societal participation, which can include activities like volunteering and caring for relatives. A control group of artists who did not receive funding will also be surveyed and tracked to compare results of those of received funding against those who didn’t.

I would be interested to learn more about what they find from this trail program. Hopefully it will come back on my radar again in 2025-2026 when the pilot is over.