A Link Between Awe And Generosity

by:

Joe Patti

Thanks to Barry Hessenius for providing my post topic today. He sent a link to an Inc magazine piece titled “Want to Raise Kind, Generous Kids? Take Them to an Art Museum.” Readers will know that I am not really big on discussion of art as a prescriptive solution based on inchoate theories and research. So I was interested to see they connected the sense of awe art generates to an increased generous impulse.

Certainly, museums make children more worldly and cultured, but how do they make them kinder? The link, according to the new study, recently published in Psychological Science, is awe. A whole line of research, and a much talked about new book, shows that experiencing awe can help adults. Feeling a sense of smallness in front of sites greater and grander than you–be that the Mona Lisa or the Milky Way–tends to tamp down runaway egos and make adults humbler, kinder, and more relaxed. This latest research looked to see if awe would have the same effect on children.

The research was conducted with 159 kids aged 8 to 13 so I am a little cautious about any definitive statements based on such a small sample size, but the results pointed to exposure creating a tendency to be more generous.

Of course, art isn’t the only source of awe in our lives. The article says ” simply looking for the awe-inspiring in the everyday can increase our perception of awe and its associated benefits” even if you don’t have ready access to museums. Some people experience awe from the natural beauty present in their every day activities, for example.

The bottom line is that nudging your kids to notice and appreciate the greatness and grandeur of the world around them won’t just make them more observant and aesthetically appreciative. The latest science shows it will also nudge them to be humble, kind, and caring.

He Proved The Power Of The Rule Of (Folding In) Thirds

by:

Joe Patti

When I saw a notice about MAD Magazine artist Al Jaffee’s death at 102 yesterday, it was tucked in the corner of a website so I didn’t think there would be a lot of notice. But this morning there were a plethora of stories.

He has been feted for his work on the magazine’s fold-in back cover which turned a large picture into the wry answer the picture caption.  For me, that was an inadvertent bit of visual art education to readers of the magazine. Seeing how ultimate image was derived from the larger piece taught people to look closer at what might be happening at the edges of pictures. I can’t be the only person who tried to figure out the answer in my mind’s eye before folding the page.

While it may not have been high art, those covers could have been a great entrée for introductory level visual arts courses since so many classic paintings had meaningful images inserted in the periphery. And of course, the final fold in image wasn’t the only visual joke. The whole cover was peppered with satire and foolishness as a reward to the patient viewer.

You can find many examples of his fold-ins on different websites  DC Comics interviewed him awhile back where he discussed how he managed to engineer the covers.

Sometimes It Isn’t Bad To Be Rushing In Late To The Party

by:

Joe Patti

A Guardian article on classical music in Iceland caught my eye last week. The story basically suggested that because the country got a late start with classical music, (first major tour by Hamburg Philharmonic Orchestra in 1926 and first full time ensemble in 1950), they don’t have the same hang-ups about what belongs in the concert hall as everyone else.

While the rest of the world was busy erecting barriers between music genres last century – roping off classical music, in particular – Iceland was simply trying to get things going. There was no time wasted deciding who was allowed to listen to what. For much of the second half of the 20th century, classical orchestral music felt new in Iceland. Here, the symphony orchestra was a postwar institution, not a 19th-century one.

According to the article,  pop artist Bjork had sang Schoenberg at the Salzburg festival and often performs with the Icelandic Symphony Orchestra. Rock band Sigur Ros is planning a US tour including a 41 symphony musicians and in 2020 released an orchestral piece based on a 13th-century Icelandic poem.

The Guardian suggests a possible reason for what other countries might view as a sort of open cross-pollination:

Student musicians in Iceland often find themselves crossing genre boundaries by necessity. There’s only one institution in the capital where you can study music to degree level, thrusting students of varied outlooks together. This eroding of musical silos has produced countless indefinable artists, including Hildur Guðnadóttir who became the first female composer to win an Oscar, Bafta and Golden Globe in the same season. It was for her score to the film Joker – a cello concerto in disguise.

Is Ticketmaster Powerless Before An English Accent?

by:

Joe Patti

You may have seen a rise in backlash against Ticketmaster fees coming from performing artists. Neil Young recently posted that exploitative ticketing fees were taking the fun out of touring. He also mentioned how the band The Cure had pressured Ticketmaster to refund $5 to $10 to ticket buyers who had been faced with these high fees.

Last weekend, The Cure took things a step further and announced 7000 tickets on secondary resale sites had been cancelled.

“approx. 7K tickets across approx 2200 orders have been cancelled.” The singer claimed those tickets were acquired with fake accounts and/or listed on secondary resale sites. “TM have identified specific locations from secondary postings,” he said. He then asked fans who think their tickets may have been wrongly cancelled to reach out to TM fan support (@TMFanSupport).

It makes me wonder how an 80s/90s era music group was able to pull this off while other more contemporary groups have shrugged at their powerlessness. Is it the English accent which we all find so charming and appealing? Is it the dark eye make up that makes front man Robert Smith look so brooding?

As I have mentioned in other posts, Ticketmaster’s customer is generally the venue and artist, not the ticket buyer. They have mentioned they are open to taking the heat for decisions other parties have made, likely because the higher fees are so lucrative for them.