Holly Mulcahy

After hearing Scheherazade at an early age, Holly Mulcahy fell in love with the violin and knew it would be her future. She currently serves as concertmaster of the Wichita Symphony Orchestra. She spends her summers at the celebrated Grand Teton Music Festival. Believing in music as a healing and coping source, Holly founded Arts Capacity, a charitable 501(c)3 which focuses on bringing live chamber music, art, artists, and composers to prisons. Arts Capacity addresses many emotional and character-building issues people face as they prepare for release into society. Holly performs on a 1917 Giovanni Cavani violin, previously owned by the late renowned soloist Eugene Fodor, and a bespoke bow made by award winning master bow maker, Douglas Raguse.

#TributesTasting

Mon, Jan 30, 2017 by Holly Mulcahy

Pairing food and drink with music has always been an important and fun metaphor for me. Since the creation of The Higdon cocktail, a drinkable metaphor offering a new way approach Jennifer Higdon’s Violin Concerto, many people have been asking: will there be a Stephenson cocktail. The concerto by Jim Stephenson, Tributes, could have a cocktail created for it, but I wanted to go a different route this time around. And this idea came from sitting in a restaurant in Chicago with my collaborative pianist, Tim Hinck, who flew up to perform … Continue Reading

What Prisoners Taught Me About Music Appreciation, Part 2

Fri, May 12, 2017Thu, Dec 22, 2016 by Holly Mulcahy

If you were serving a long-term prison sentence right now, what words or images do you think would come to mind? After this most recent performance at Walker State Faith and Character Based Prison, I asked the prisoners to share two words or themes they wanted connected to the music for the next recital program. (I’ll reveal those later!) The words I had chosen for this recent recital were Space and Intent. I picked pieces that exposed elements of space, whether silences or long phrases, and pieces that captured various tones of … Continue Reading

What Prisoners Taught Me About Music Appreciation

Fri, May 12, 2017Thu, Dec 1, 2016 by Holly Mulcahy

Returning to Walker State Faith and Character Based Prison this past week once again left me with more than I brought in. Joining me on the hour-long recital was Nashville cellist and social worker, Michael Samis. The recital began like it did the last time I played for the men in Walker State: a sample was played and initial impressions were freely shared by the 130 men in the prison gym. The impressions from the prisoners as they shared their thoughts of each piece were touching and I will share those in … Continue Reading

No Conductor, No Problem Part 4: Seeking Haydn Amongst Friends

Mon, Oct 31, 2016 by Holly Mulcahy

Honestly, I started off not caring about Haydn’s 31st Symphony. But studying and preparing the work during the last several months for the upcoming conductor-less concert has been an unexpectedly exciting journey. Before I collected and geeked out over the marked parts from Grand Teton Music Festival (GTMF) library, before I talked with Crozet Duplantier, music librarian, before I listened to the experiences and advice of Haydn expert and conductor, Nic McGegan, I was lukewarm on the work. After the initial conversations about the piece I felt a new excitement for the … Continue Reading

No Conductor, No Problem Part 3: Advice From The Top

Fri, Oct 14, 2016Mon, Oct 10, 2016 by Holly Mulcahy

This is a continuation of the behind the scenes look on my preparation for an upcoming conductorless concert of Haydn Symphony #31. I thought it would be interesting to share the process and methods used by many musicians, both for conducted and conductorless concerts. Concerts are planned months ahead of the performance date, and this upcoming Haydn concert has been on my front burner since July. Within hours of landing in Jackson Hole for my summer orchestra, Grand Teton Music Festival (GTMF), I headed first to the GTMF music librarian to begin … Continue Reading