What Prisoners Taught Me About Music Appreciation

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Returning to Walker State Faith and Character Based Prison this past week once again left me with more than I brought in.

Joining me on the hour-long recital was Nashville cellist and social worker, Michael Samis. The recital began like it did the last time I played for the men in Walker State: a sample was played and initial impressions were freely shared by the 130 men in the prison gym. The impressions from the prisoners as they shared their thoughts of each piece were touching and I will share those in my next blog. But first, the impressions taken off the surveys we handed out offered some powerful statements.

“I had to wait till I came to prison to experience this kind of music.”

The first question on the survey was: “Have you ever attended a live performance by a full symphony orchestra, ensemble, or concert musician?”

Since the last time I brought music into the prison the number of prisoners who have experienced live classical music jumped. For many, my performance in April was their first encounter with a live classical music experience.

Many prisoners said they never had the opportunity nor could afford attending concerts prior to being incarcerated. But there was a distinct appreciation, a palpable need for keeping live music in their lives.

Talking with prisoners after the performance it was said again and again: “I didn’t know I needed this until now,” and, “I wished I knew about this type of music before.”

What Prisoners Taught Me About Music Appreciation

“The more prisoners are exposed to beauty, the more they will look for it.”

When people are surrounded by certain influences, they become familiar and comfortable with those influences. This is called ‘mere-exposure effect,’ a psychological phenomenon by which people tend to develop a preference for things merely because they are familiar with them.

It is not a far-fetched idea to introduce prisoners to classical music in hopes they will seek it out further during their prison term and after they are released. Judging from my past visit where many prisoners downloaded one piece I performed by Jennifer Higdon after I left, this is not implausible. The seeking of beauty will continue. Read some of their comments on the most recent surveys:

“I’m in love with the way music talks to my heart.”

“Peace, joy to the depth of my soul.”

“The way it opened my heart up and it took stress off me.”

“It caused us to really feel at a deep level.”

“Music goes past the mind and straight into the heart.”

What Prisoners Taught Me About Music Appreciation

“I didn’t know how much I would miss art and culture until it was gone.”

Not all the men were classical music newbies. One man, a former Atlanta Symphony season ticket holder, told me after the concert that he had taken music and art for granted. How many times have we taken any kind of music or art for granted? For me, music is a part of my life daily, but I must admit I take it for granted more than I should!

Several men put in their surveys that they appreciated and sought a different type of culture or diversity of art with more purpose after being incarcerated.

One prisoner developed an interest in classical music after he came to prison. He shared with me that he started listening to NPR and the syndicated show From The Top with Christopher O’Riley which helped him look back to society with a new appreciation and inspiration.

“This encourages a piece of me that has been locked away for decades to break free and come back to life.”

What Prisoners Taught Me About Music Appreciation

“Hearing my fellow inmates’ thoughts opened my mind beyond just music.”

Just like the first performance in April, we discussed each piece after it was played. After stating there would be no wrong answers or interpretations, I again invited everyone to share their thoughts of the works they heard. It was a recurring comment on surveys that hearing other prisoners’ impressions gave an expanded appreciation of the music and added an empathetic point of view.

The whole experience for me this past time visiting Walker State Faith and Character Based Prison left me thinking how we use music and art in our society. We have initiatives that focus on music education and outreach, but are we reaching far enough? Sincerely enough? Because clearly the importance, need, and discovery of culture is deeply important to the prisoners at Walker.

In my next article, I will share the prisoners’ thoughts about the music we performed. But here’s the spoiler: Once again, the works of music I was the most tentative to share, the most modern and freshly composed, were the most talked about and most needed. And with that I will leave you with one final thought from a comment on the surveys: “I like that some of the composers will be told our thoughts and feelings about their pieces.”

What Prisoners Taught Me About Music Appreciation

About Holly Mulcahy

After hearing Scheherazade at an early age, Holly Mulcahy fell in love with the violin and knew it would be her future. She currently serves as concertmaster of the Wichita Symphony Orchestra and the Chattanooga Symphony Orchestra. She spends her summers at the celebrated Grand Teton Music Festival. Believing in music as a healing and coping source, Holly founded Arts Capacity, a charitable 501(c)3 which focuses on bringing live chamber music, art, artists, and composers to prisons. Arts Capacity addresses many emotional and character-building issues people face as they prepare for release into society. Holly performs on a 1917 Giovanni Cavani violin, previously owned by the late renowned soloist Eugene Fodor, and a bespoke bow made by award winning master bow maker, Douglas Raguse.
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3 thoughts on “What Prisoners Taught Me About Music Appreciation”

  1. My wife and I were blessed to be there at Walker FCB Prison. It was special on every level. Before the outstanding music hit its mark, however, the men related to you, Holly. You’ve gone to lengths to understand that prison, its prisoners, leadership, programs, and needs. You’ve proven yourself trustworthy and caring — the kind of person to whom the men can open up and relate. You’ve demonstrated a desire for their long-term well-being. You and Michael stayed late to talk personally with all the prisoners who waited in a very long line to express gratitude. As author of your own blog, you can’t say you’ve earned the privilege to access the prisoners’ inner spaces because you played with love and compassion. I can say this.

    Musicians drop in at prisons from time to time to entertain. Your approach, however, giving first of yourself, with a caring commitment to return for their benefits, using themes about which they feel most deeply, can make favorable impact on their lives. You are a unique and special person, Holly. Prisoners can access classical music DVDs in the prison library, but that won’t make the same difference as having you there personally with the knowledge that you care, or, the fact that you actually are growing to love them. Thank you, Holly. What you played and have written is excellent. What we see in you is even more excellent.

  2. What Holly brings to the table here is so special and so basic in the realm of human need. It deserves long, hard and quiet consideration. Too often, people in the arts separate themselves from the masses, and in so doing create an impenetrable divide that could otherwise be a bridge. The beauty of what she is doing is that it is mutually beneficial. A win/win for all involved.

    Hearts hardened by whatever experiences that have molded them, can be softened. Holly’s work is testimony to that. And I believe that our evolution as a species is contingent upon our discovering that as basic fact.

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