Holly Mulcahy

After hearing Scheherazade at an early age, Holly Mulcahy fell in love with the violin and knew it would be her future. She currently serves as concertmaster of the Wichita Symphony Orchestra. She spends her summers at the celebrated Grand Teton Music Festival. Believing in music as a healing and coping source, Holly founded Arts Capacity, a charitable 501(c)3 which focuses on bringing live chamber music, art, artists, and composers to prisons. Arts Capacity addresses many emotional and character-building issues people face as they prepare for release into society. Holly performs on a 1917 Giovanni Cavani violin, previously owned by the late renowned soloist Eugene Fodor, and a bespoke bow made by award winning master bow maker, Douglas Raguse.

Perspectives of Love and Hope

Fri, May 26, 2017Wed, May 24, 2017 by Holly Mulcahy

It’s easy for me to write about my perspective during my performances in the prison. I share my point of view and snippets from prisoner surveys along with their quotes taken during our two-way discussions after each piece is performed. For the latest recital, I invited two composers and a few guests from the community to join me. I also asked a few of them to share their unique perspectives and thoughts to add a different vantage point: [box] From composer Wang Jie: To some, prisoners are animals behind locked bars. To … Continue Reading

Sharing Love and Hope Through Music

Sun, May 14, 2017Fri, May 12, 2017 by Holly Mulcahy

The first time I performed in prison we discovered prisoners put great value in sharing their opinions. They knew their thoughts would be shared directly with the composers of the works they heard and that made them feel like their opinions mattered. The second time I performed in prison we gained a deeper appreciation for the power of music, especially contemporary music. Hearing directly from the prisoners how new works evoked emotions and thoughts helped shape the planning for the third prison performance. The theme of the third performance was chosen by … Continue Reading

It’s More Than Wearing Pretty Shoes

Thu, May 26, 2022Mon, Apr 10, 2017 by Holly Mulcahy

“And here I thought all you did was walk out in pretty shoes and tune the orchestra!” That patron’s statement caught me by surprise while I was explaining details of my job as concertmaster. It turns out many people don’t know much about what a concertmaster does! So, I’ve asked a few concertmaster friends from around the country to share some of their thoughts to help illustrate a more dynamic description of the job. After all, while it’s nice people notice the pretty shoes, there is a lot more to the job … Continue Reading

Do you need a prerequisite to enjoy classical music?

Thu, Feb 9, 2017 by Holly Mulcahy

A while back I posted on Facebook that I felt the Mendelssohn Violin Concerto needed a time out. One of the commenters on that post said, “Yes, but it’s such a great first time listener’s work. After they listen to that then they can go on and enjoy other works.” A few others chimed in saying similar things, and the discussion revealed the viewpoint of many veteran classical music listeners. They were actively prejudging how newcomers should start into the art of orchestral music. I completely object to this! Since when do … Continue Reading

#TributesTasting

Mon, Jan 30, 2017 by Holly Mulcahy

Pairing food and drink with music has always been an important and fun metaphor for me. Since the creation of The Higdon cocktail, a drinkable metaphor offering a new way approach Jennifer Higdon’s Violin Concerto, many people have been asking: will there be a Stephenson cocktail. The concerto by Jim Stephenson, Tributes, could have a cocktail created for it, but I wanted to go a different route this time around. And this idea came from sitting in a restaurant in Chicago with my collaborative pianist, Tim Hinck, who flew up to perform … Continue Reading