For 25 cents More You Get A Large Coke And Opera Glasses

by:

Joe Patti

The NY Times covers the Metropolitan Opera’s high definition broadcast of Hansel and Gretel to movie theatres throughout the country. One of the questions they ask is whether the experience will translate into people going to see the opera live.

By some coincidence, I received a brochure from the Philadelphia Orchestra today offering me the opportunity to host a high definition broadcast of up to five performances this year. Except that I have a 15 year old sound system in my theatre, I could easily host one of these events. Actually, since their fees are fairly reasonable, I could rent sound equipment and probably still finish in the black.

I don’t foresee hosting one of these any time soon. But I have to think, if I got one of these brochures and I don’t program classical music, who else around here has gotten one? There are plenty of other places that could hold a screening. And even though I don’t intend to present one of these, there is nothing to say that someone may not rent my facility and a sound system to do so.

So what does this mean for my local symphony whose musicians haven’t been paid in over a month? Or any symphony whose audience is faltering or, like Jacksonville, is enduring a protracted strike?

Is seeing a projection of the renown Philadelphia Orchestra for $15 in a movie theatre on speakers set to make explosions sound good (and perhaps has said explosions bleeding in from next door) preferable to hearing the local symphony for mediocre $50 seats amplified only by the building’s natural acoustics? Do sticky floors and popcorn go better with Wagner than reserved seating and wine?

Philadelphia is fully supporting the program with all sorts of promotional materials and ideas, study guides, interactive discussions and post-performance online discussions in which audiences can participate.

And like the NY Times article asks, could the Philadelphia Orchestra inspire people to see the local symphony? Or because of the money and support they enjoy, are they setting the bar so high now that local orchestras will never be able to compete? The fidelity of sound may not be as good as a live performance, but Philadelphia may be providing the environment and interactivity that people expect from their arts attendance experience these days.

Humans being social animals, I have always been a little skeptical of the idea that 100 inch flat screen televisions, TiVos, video game systems and the Internet would ever replace the appeal of the group experience. However, if attending a video feed of an orchestra performance accompanied by a bucket of popcorn constitutes the new definition of “going to the symphony,” performing arts organizations of all stripes may have to reconsider the medium through which they are delivering their product.

Jonesin’ For Pots and Bell Ringers

by:

Joe Patti

Want to know why people get depressed and cranky after the Christmas and New Year holidays? It’s not that the cold blustery depth of winter sets in with no joy in sight until the Spring. It is entirely the Salvation Army’s fault. According to an article on giving by Arthur Brooks, psychologists “…believe that charitable activity induces endorphins that produce a very mild version of the sensations people get from drugs like morphine and heroin.”

So it isn’t all the snow. People are just going through withdrawal when the Salvation Army packs up their bells and kettles. You may think all that bell ringing is annoying, but in reality, they just leave you wanting more.

The article cites a number of surveys and studies which have found that people who give, be it time, money or blood, are much happier than those who don’t. “American households, people who gave money to charity in 2000 were 43% more likely than non-givers to say they were “very happy” about their lives. Similarly, volunteers were 42% more likely to be very happy than non-volunteers. ”

There is a chicken-egg question in the article. Do people who are happy to begin with give more often or does giving lead to a feeling of happiness? Brooks cites a study that shows more happiness after giving, but I still wonder if predisposition has something to do with it.

In any case, it seems that scheduling the annual deadline for tax deductible giving with the Christmas holidays is well timed. If having the atmosphere permeated with goodwill doesn’t provide the impetus to give, the tax incentive adds a little more motivation.

Charity Giving In A Gift Card

by:

Joe Patti

Last week there was a story on NPR about charity gift cards. Essentially, they allow you to buy a gift card as you normally would but then the recipient can go online and choose to which charity they would like to donate.

Charity Navigator, which is mentioned in the story, has a link to the Network for Good card. The other organization mentioned, ‘Tis Best, has their own card that they offer.

Of the two, Network for Good has the most arts and culture organizations, though they tend to be individual organizations while ‘Tis Best offers the opportunity to donate to larger service organizations like Artspace, Chamber Music America, Dance/USA, Mr. Holland’s Opus, and the Assoc. of Performing Arts Presenters.

It is too late to get involved for this holiday season, but is just the right time to explore how to do so for next year!

Simple Gestures, Big Results

by:

Joe Patti

Knowing that my customer service skills can be lacking, I try to keep my eyes open for practices that answer customer needs well. One of the cardinal rules for relations with anyone, be it your boss, relatives, friends or patrons is to try to anticipate the needs of the other person.

Last week I came across an instance of what to do and wanted to share it with the readers. It is a small act, but it can make a big difference.

I have been emailing back and forth among two other alumni members of the Association of Performing Arts Presenters Emerging Leadership Institute about some activities we want new and alumni members to participate in as part of our attempt to enhance the value of attending the institute.

One person emailed the rest of us a draft letter addressed to the new and returning ELI members alerting them to conference sessions and social events where concerns members had would be addressed. The format was pretty simple with a listing of the event and the time. It looked fine and I replied to that effect mentioning that I would have to research one session a little more because the title made it look interesting.

The next email I received had a revision of the previous letter. This time each session listed had a full description of what the session was all about. What had impressed me was that she took a cue from my comment that I intended to research a session that sounded interesting to provide me the information herself. Obviously, she didn’t do it for me alone. If I was curious, others would be as well.

Actually, since I am praising her rather than criticizing, I don’t mind mentioning her by name- Laura Kendall, Assistant Director of Community Engagement and Learning at the Lied Center in Lincoln, NE. There, now maybe she will get a raise.

You would naturally expect someone with a title like hers to make that connection and act on it, but it is a rarer quality than you would think. It is easy to enter a mindset that the community you are engaging and educating is only your own and that you only need to do so within the context of programs planned in conjunction with performances.

And maybe she doesn’t pick up on the unspoken messages all the time either. However, I emailed her back last week praising her for recognizing that additional information would make a better letter. She said I made her day so I will bet she will be more conscious of these cues in the future regardless of how well she noticed them before.

Anticipating and answering needs people didn’t really know they had is what will help set an experience at an arts organization apart from other experiences. People are able to gain the information they want more and more easily these days. Global positioning directional units were one of the hottest selling items this Christmas season. But information sources like GPS units only provide what you ask for and not only is the information sometimes incorrect, it also lacks wisdom and discernment to advise well.

But this is only one example of good practices arts organizations should be embracing. Keeping alert for everyday occurrence that can adapted and applied to become your standard procedures is the real point of this entry. Often it isn’t that you come across a new practice as you encounter something that makes you question if you are doing it well enough.