Voices of the Loyal

by:

Joe Patti

When you see a person quoted in the newspaper talking about a controversial or important issue, it can be difficult to develop an empathetic connection with them because the written word has an inherent insulating element about it. I have been following the travails of the Honolulu Symphony for quite some time now. I have had conversations and email exchanges with some of those involved that it hasn’t been appropriate for me to report on here.

Although the heroic dedication of the Honolulu Symphony musicians who have been playing without pay since before Christmas (they are about 7 weeks in arrears right now) is easily perceptible in writing, it seems to fall short of what I feel listening to them tell their stories.

Earlier this month, the local public radio station interviewed musicians about how they were coping. Some remained stalwart, some said things were getting tough and they had to start looking for work in other states though it killed them to do so. There is a sense that the financial difficulties and not knowing when the next paycheck will come is wearing on the musicians, even if they don’t overtly mention it. You can hear it in their voices. There is also gratitude for public gestures of support like a dentist who didn’t charge one musician for his services.

At the same time, as the musicians go through these difficulties, they are going out and performing concerts to show their solidarity with hotel workers who had been fired and then partially rehired according to some elusive logic. The musician organizing the effort notes that the same could happen to them. I wondered if it was a tacit acknowledgment of the hardball decisions made by the board and management of the Jacksonville and Columbus Symphonies. Not to mention the abrupt closures of Aloha and ATA Airlines which staggered the state last month and left thousand out of work. It is to the Honolulu Symphony Board’s credit that they haven’t been talking about closing during all this.

I should acknowledge that last week an unnamed donor made a $1.175 million gift to the Symphony. It doesn’t solve all the problems, but it helps a lot. (I also should mention that my theatre is one of those the Symphony owes money.) The interviews I linked to aired a week prior to the news of the gift and in fact were conducted a few weeks prior to the air date so the lack of certainty about the future was very real. The good news for the musicians is that Executive Director Tom Gulick is on the record as saying all the backpay, including a restoration of cuts the musicians granted under a previous administration adjusted for inflation will be paid to the musicians.

Whether this good fortune proves a temporary reprieve for symphony operations which will prove unsustainable or just the break they need to implement a well considered plan to renew the organization remains to be seen.

Ooops

by:

Joe Patti

Well apparently as my windows shifted around during my recent attempts to enhance my web feed links, I accidentally deleted part of the right hand sidebar. I have tried to restore and also improve that sidebar, but I am pretty sure some blogs that I added after creating a back up copy have gotten left out. I have a good sense of what has been omitted but I am going to go back through the last 6-12 months of posts to double check and perhaps pick up a couple more that should be included.

If I am missing your blog and listed it before, let me know! Sorry about making you disappear.

Feed Changes

by:

Joe Patti

A few months ago one of the readers expressed an interest in having the blog feed changed to provide the full entry instead of just the summary. Drew over at Inside the Arts did a survey and discovered that most people want a full feed instead of a summary.

As a result, I have added a full feed to the blog. You can choose the summary or full feed in the left sidebar. You can also choose the feeds via the orange icon in the navigation bar of your web browser. I haven’t figured out how to differentiate between the two Atom feeds listed there yet. But if you mouse over them, one is named atomf.xml and the other is atom.xml. The one with the “f” will deliver the full length feed.

Enjoy.

Sometimes I Feel Like A Fatherless Color

by:

Joe Patti

I don’t know how it found its way to my backstage, but I came across a booklet from Apollo Design that really show the company has a sense of their customer’s needs and seek to add value to their products. They have what they term Playbooks which provide a scene by scene break down with gel and pattern suggestions of some of the most popular plays high schools and community theatres perform.

They admit that the options they offer are among the safest choices a lighting designer can make. They also can’t offer guidance about placement of instruments and intensity of light since they can’t know the needs of every theatre. But for the high school teacher who has volunteered to direct the fall play and knows nothing about choosing gel colors, the booklets can remove quite a bit of anxiety. Even if you aren’t directing any of the plays they cover, you can get a sense of how the design theory you might read in a text book has been put into practice in specific instances.

You can download pdf versions of specific Playbook sections here. As an example of the general guidance they offer, for The Glass Menagerie, the notes state:

“Smoky, red glow” – mentioned in the Amanda and Tom argument scene. The colors should not be malevolent or suggest violence. It should be a subtle indication of frustration and tension”

Another example is in scene 3 the booklet provides guidance for different colors on the fire escape, living room, bedrooms and dance hall.

Although their skills far outstrip those of the people who would use these booklets, my technical crew thought the booklets were a great idea and have been thumbing through them for the last week.

We did get a little chuckle though from their political correct renaming of Bastard Amber, one of the most often used gel colors around. It was created by mistake when a guy was trying to create a batch of regular amber. Bastard Amber ended up being generally a better color choice and more widely used than regular Amber. The two leading gel manufacturers, Rosco and Lee both have the color in their swatch books.

Apollo on the other hand calls the color Fatherless Amber. Given that they have a Dominant and Submissive Lavender, we can’t imagine they are complete prudes.

If you want to have a bit of fun, ask your tech director if you can see their gel swatch books. You can find some amusing names for colors in there. Given that Rosco and Lee have created proprietary colors that the other hasn’t been able to reproduce, you can have fun looking through both. Like some famous painters who have created their own paint shades, lighting designers have asked that unique colors be created for them and so you will find some colors named after notable theatrical folks. Be warned that there are also a lot of mundane boring colors in there as well though you will probably wonder at the contradiction of shades like No Color Blue.