Perception of Crime Is Impacting Urban Based Arts Orgs, Change Of Framing Is Required

by:

Joe Patti

Yesterday there was a report that the rate of violent crimes and some property crimes fell in the first quarter of 2024.  However, that may come as weak comfort to urban based arts organizations because there is still a perception that crime rates are high in urban areas. A recent post on Know Your Own Bone by Colleen Dilenschneider’s team says this is impacting people’s intent to visit arts organizations in urban settings (subscription required).

When compared to 2019, respondents in the first quarter of 2024 indicated less willingness to visit urban based arts and cultural entities. What surprised Dilenschneider’s team was that nearly 50% of people living in urban areas indicated they were less likely to visit an urban based organization.  The further people lived from a city, the less likely they felt they would visit an urban arts organization. Of course travel distance likely was a factor in diminished intent to visit. However, the overall results align with data about  decreased attendance at Broadway shows by people living in NYC suburbs.

Some of the contributing factors Dilenschneider’s folks cite is the lack of activity in urban settings–fewer office workers leads to less bustle and activity on the streets, in restaurants, cafes, storefronts. The lack of activity can help feed a perception of a place being unsafe even if there is no data to back it up.

You may have noticed something: We’re talking about crime perceptions increasing, not necessarily actual crime statistics.

Research suggests that violent crime is declining, but Americans still feel less safe. Though there may be a delta in actual crime vs. perceived crime, it may not matter. Whether it’s real or perceptual, potential audiences are increasingly citing crime as a reason to stay home.

In terms of the crime people cite as creating a disincentive to attendance, it varies according to where people live. In some cases, it is a sense of vague unease about urban environments rather than anything specific.

The top four crime barriers are all the same but in a different order for urban, suburban, and exurban audiences (homeless/unhoused populations, panhandling, news stories, drugs). Audiences who live further away from an urban area rely more heavily on “news stories” in shaping their crime perceptions. “Do not know” also makes the top ten for suburban and exurban potential visitors who cite safety perceptions as a primary reason why they do not visit despite their stated interest in doing so. However, they cannot put their finger on exactly the source of their crime-related concerns or the kind of crime that is most worrisome to them when it comes to visiting their nearest downtown region.

In terms of how to combat this perception, Dilenschneider’s team suggests focusing on the macroenvironment in which your organization operates. Instead of promoting a visit to your organization as an isolated experience, place it in the context of the amenities of the whole neighborhood:

“Is going to the museum worth venturing into the city?” may not be enough on its own to overcome negative perceptions.

“Is going to the museum, walking along the waterfront, exploring the historic district, sipping a cocktail at a café, and then enjoying a terrific dinner worth venturing into the city?” likely represents a very different calculus for visitors.

Mobile Phone Pied Pipers Lead Audiences To A Concert

by:

Joe Patti

I saw an novel approach discussed for a concert by the BBC Philharmonic in Manchester, England where the concert is performed by the audience walking to the venue.

Composer Huang Ruo’s  City of Floating Sounds starts when audience members select one of four starting points in Manchester and then start playing one of eleven pre-recorded tracks aloud on their phones as they start their walk toward the performance venue.  The street environment and weather are contributors to the first phase of the performance, along with the decisions the audience members make.

Huang explains that the City of Floating Sounds app detects other users: “It’s like a traffic map. You will see where people are and you can decide whether to join them or not. What you are playing on your phone – say, the horn section – might blend in unexpected ways with another section played by someone else. There are so many ways that people’s participation drastically affects the outcome. No two performances can be the same.

“It’s planned as an outdoor piece. And if there’s noise, or rain, or traffic – it’s all part of the symphony.”

He hopes that passersby will be intrigued enough to join the procession. The whole thing has a Pied Piper vibe, with the twist that nobody is really in control of what happens. “Even the people walking around, who don’t know there’s a symphony going on but hear something flying around with the sounds, they’re already part of it. They will add to it unconsciously through their movements.”

Once people get to the performance venue, they will find the BBC Philharmonic arrayed around the perimeter of a space which attendees can sit, stand, and wander while the piece is performed.

Huang hopes the lighting engineers will realise his vision. “I gave them the idea of those big caves in Vietnam where light comes in through sinkholes. You walk in darkness, suddenly, you see a beam of bright light.”

…He also encourages the audience to walk around during the performance – “this will add to the antiphonal, call-and-response effects going around the auditorium”.

But won’t it be challenging for the musicians if the audience are roaming about and filming? “We’re all really excited to see what it will be like,” says conductor Gemma New. “It’s our first experience of this kind of concert format.”

Part of Ruo’s vision for the experience harkens back to the outdoor opera performances his family attended on Hainan Island in southern China. He wants his concert to provide a more open experience in contrast to “opera and classical music as they so often figure in the west – as expensive cultural products for conspicuous consumption.”

Just tangentially related – I discovered that residents of Manchester, England are known as Mancunians which references the Latin name for the city, Mamucium, when Rome conquered Britain.

Are Cultural Resources In The Community A Recruitment Tool For Companies? You Bet

by:

Joe Patti

There is frequently talk about how the availability of arts and cultural organizations and activities are frequently a quality of life element that attract employers to communities. I got a germ of an idea to find evidence of that. This is obviously not scientific, but I did a search on Indeed.com using the criteria of jobs paying more than $100,000 listed in the previous 24 hours and using the search terms “arts culture.” Using that narrow frame, I got about 50 results. Many of the positions were in the medical field and there were a number of listings for the same business.

Here is what I found. Many of these positions also listed food, microbreweries, outdoor activities, schools, etc as benefits for living and working in the community. For brevity sake, I am going to limit citations to arts and culture, though I also retained the context of the sentence in which the reference appeared.

This is low hanging fruit research. It took about 20 minutes to cut and paste out off the website and into a word processor document to prepare for this post. So it is pretty easy to make the case that companies trying to recruit skilled labor are using the presence of arts and cultural resources to attract workers.

Connected Health Care, LLC Boise, ID 83726 – Cultural Attractions: Explore Boise’s vibrant arts and culture scene, including museums, theaters, and music festivals.

ilocatum Nixa, MO – The city has a vibrant arts and culture scene, as well as numerous parks and outdoor recreational opportunities….Branson is famous for its live entertainment shows, amusement parks, and picturesque lakes

Connected Health Care, LLC Houston, TX 77082 (appears they are recruiting for their Dallas location) – Explore Dallas, Texas: Discover the vibrant culture and attractions that make Dallas a fantastic destination for your next assignment…Immerse yourself in the arts at the Dallas Museum of Art and the Nasher Sculpture Center….Experience the iconic Dallas Zoo and the Dallas World Aquarium.

Wake Forest Baptist Health Winston-Salem, NC 27157 …Wake Forest Innovation Quarter, boasts multiple restaurants, breweries, theaters, shops and a minor-league baseball stadium – something for everyone

Prestige Care – Creswell Health & Rehab Creswell, OR 97426-Eugene has a dynamic mix of arts and culture, shopping and dining, entertainment and sports.

Mission Hospital Asheville, NC 28801 – Whether you enjoy outdoor adventures, arts and culture, live music, shopping or fine cuisine, Asheville offers something for everyone!

Alaska Regional Hospital, Anchorage, AK 99508 – Located within Denaʼina Ełnena, on the traditional homelands of the Dena’ina Athabascan people and the Native Village of Eklutnathe city combines wild Alaska beauty, convenient urban comforts, mesmerizing outdoor spaces, and captivating arts and culture.

Frankfort Regional Medical Center Frankfort, KY 40601 – The vast array of architectural styles, famous landmarks, museums, and unique shopping make Frankfort a special place for residents….You will also have access to arts and culture and outdoor activities with a comfortable climate and the best of all four seasons.

The Medical Center of Aurora Denver, CO 80012 – Denver is home to rising stars in culinary and craft brewing culture and arts patrons enjoy the largest collection of performing arts stages under one roof in the world.

HCA Florida West Hospital Pensacola, FL 32514 – Pensacola offers 450 years of history, innovative coastal cuisine, art and culture, unique shopping and many festivals throughout the year, celebrating everything from music and food to art and Mardi Gras. Boasting a thriving arts community, the Pensacola Bay Area is home to the “big five,” including ballet, opera, symphony, theatre and an accredited museum of visual arts.

Mercy St. Louis, MO 63128 – The city is brimming with free, world-class attractions and boasts an arts-and-culture scene that’s second to none

Connected Health Care, LLC Indianapolis, IN 46262 Arts & Culture: Immerse yourself in the city’s rich arts scene, from world-class museums to live performances at the Indiana Repertory Theatre.

Indiana University Health Indianapolis, IN Vibrant downtown offering arts, theaters, world-class museums, zoo, concerts and memorials

Concentra Chicago, IL 60607 Chicago is home to a myriad of museums, sporting venues, festivals, and performing arts….. If you’re looking for world-class universities, endless entertainment, unique and plentiful shopping, and easy access to transportation, look no further – Chicago is calling your name!

Anne Arundel Gastroenterology Associates Annapolis, MD – Cultural Abundance: Immerse yourself in museums, theaters, music venues, and festivals that celebrate the arts and diverse cultures.

Transylvania Regional Hospital Brevard, NC 28712 Outdoor adventures, arts and culture, live music, shopping or fine cuisine, western North Carolina offers something for everyone.

Regional Hospital of Scranton Scranton, PA 18510  Scranton is a city steeped in rich history, a vibrant arts scene, outdoor adventures, and a wide variety of delicious cuisine

What Is Behind Philly’s University of the Arts Abrupt Closure?

by:

Joe Patti

You may have heard the disconcerting news that the 150 year old University of the Arts (UArts) in Philadelphia abruptly announced their closure last week, less than a year after Pennsylvania Academy of the Fine Arts announced they were discontinuing their bachelor and master of fine arts degrees.  What is particularly galling about the closure is that faculty and students weren’t informed that the school would be closing a few days later and heard about it via media sources.

In addition, the manner in which they made the announcement resulted in the school immediately losing its accreditation.  Apparently, the accrediting agency told them on May 28 that their accreditation was renewed for another few years. The next day UArts told the agency they were going to close in a few days and the agency pulled accreditation pretty much immediately in response to the fact the school was giving such short notice and had not arranged for teach out agreements to help students transfer to other schools.

This reminded me of the closure of Sweet Briar College that I wrote about in 2015.  There were all sorts of questions about how that decision came about, especially since the school had accepted a million dollar gift two weeks before the board decided to close the school. In that case, the alumnae rallied to call for the resignation of the president and board for not properly exploring options to keep the school open.  The school continues to operate today.

I am not suggesting UArts is in a position to be saved. A number of universities have been closing in recent years. Last week Marymount Manhattan merged with Northeastern University due to declining enrollments.  The merger was a result of discussions over the course of a number of years.

Clearly the difficulties UArts faced didn’t just emerge over the course of a week. The faculty just ratified its first contract in February after three years of negotiation, but according to a recent article on the closure, there was no indication of financial problems at that time.

“Part of what makes this so shocking and outrageous is that at no point was there any indication from the senior leaders at the university … that the university’s finances were this precarious,” faculty member and union representative Bradley Philbert told Hyperallergic, adding that within the last three months, the university has hired between four and six staffers.

“This is not just something that happened overnight,” Philbert said.

Others have mentioned the abrupt closure is likely a violation of the WARN Act which requires large employers to provide 60 days notice of layoffs and closures.

Instances like these make me wonder what sort of legal advice and guidance these boards have been receiving. Likewise, who was making decisions about internal and external communications that none of this information was shared with any of the school’s constituencies.  In the end, I wonder if there are parallels with Sweet Briar in that the UArts board may have decided to shut everything down without due consideration about the process.