At Least You Can Put Your Feet Up On The Seat In Front Of You

by:

Joe Patti

There has been a lot of conversation among my peers about how to revamp our venue seating charts to comply with social distancing. Some people were seating in every other row with 3-4 seats between every single person, the latter part which seemed crazy to me.

At my venue, we worked up a plan that skipped every other row and had four seats open and four seats blocked so that families could be seated together. We found a way to set our ticketing system so that if you bought two of four open seats, it would immediately block the adjacent open seats so strangers couldn’t buy the seats next to you.

I figured it would be a month or two before any state got to the point of allowing live performance events to occur.

To my surprise, someone already put this general model into action. I was reading a piece in San Francisco Classical Voice because it extensively quotes Adaptistration author Drew McManus when I came across this bit of information:

In fact, the first test of a live-concert in the U.S. was to have taken place May 18, with a socially-distanced performance by country singer Travis McCready at TempleLive in Fort Smith, Arkansas. However, on May 12 the state’s Republican governor, Asa Hutchinson, announced the state’s health department would be issuing a cease-and-desist order for the concert due to the extension of the state’s coronavirus lockdown measures.

Had the concert proceeded, it would have taken place in a hall with a capacity of 1,100 reduced to 229. The audience would have had their temperatures taken when they arrived, been directed to their seats along one-way walkways, with a limit of 10 people in the bathroom at any one time. Seating would be in “pods,” defined as “small gatherings restricted to friends and relatives comfortable with sitting together.” Each group, between two and 12 in number, would be seated together while the rest of the audience sat six feet from one another other. In addition, the concert’s Ticketmaster page said TempleLive planned to sanitize the venue using fog sprayers and would require masks to be worn by the audience and staff. The three-member band would maintain social distancing onstage but had not planned to wear masks.

Even with these limitations, the concert was sold out. Would it have been a preview of coming attractions?

Other than feeling allowing up to twelve people who didn’t regularly live in close quarters to sit together might be problematic to efforts to control the spread, I sort of wish the concert could have happened so we could start to get some tips on traffic control through the different spaces.

Since I am clearly wrong in my assumption no one would be trying to do it yet, has anyone heard of any other instances where someone has actually executed a post-Covid revised seating plan?

Update: Thanks to reader Rachel Condie who pointed out that the concert in Ft. Smith did happen after the venue challenged the governor’s order as inconsistent with the standards applied to churches. A New York Times article provides the details of their audience flow process.

Data Driven In Word, Not Deed

by:

Joe Patti

Interesting article on Harvard Business Review site titled Is Your Business Masquerading as Data-Driven?

Now you probably feel that when are stumbling blind through an environment everyone says is without precedent, no existing data will aid in productive decision making. I suggest this is actually the perfect time to both scrutinize the data you do have on hand very closely to provide you with insights you may have been overlooking for years and to create processes and procedures to more effectively collect and analyze data moving forward.

I have written about data driven decision making before, as has Drew McManus. In most of these posts we both focused on the influence of Highest Paid Person’s Opinion (HiPPO) which often overrides data informed decisions and focuses on simple numbers absent of context and analysis.

The Harvard Business Review takes a different approach focusing more on employees vs. supervisors/board members. In both scenarios, people are acting in a manner that is not conducive to a company wide culture of data.

These organizations are “masquerading” as data-driven, meaning they have the data, technologies, and even the expertise, but their culture and processes are not aligned with those elements to produce the best outcomes. For example, data might be a part of every decision made, but employees may be making decisions first, then looking for data to back them up.

Factors like these explain the disconnect between investment levels and the disappointing results some companies report seeing. Businesses have more data than ever, but a culture rooted in top-down decision making and traditional tools like weekly reports and preconfigured dashboards means they cannot take full advantage of it.

Among the factors the authors say contribute to this situation are:

“Your Employees are Making Decisions Based on the Tyranny of Averages” – this encompasses modeling the average of all cases as the optimal approach rather than making note of significant differences. For example, if you determined in 2013 there was no need to ensure your website looks good on phones because the average ticket buyer uses a desktop computer, not only would you have created a barrier for younger users, you are creating a situation that will reinforce desktop users as an average user because phone users will have no interest visiting the webpage. Given the demographics of people using phones to navigate the web have broadened since 2013, your online purchases would probably have dropped even as the average remained steady.

Everyone Has Their Own Version of the Truth When employees argue that “my truth is better than your truth,” it’s a sign you’re masquerading as data-driven. Each team may be acting on data, but if they have different information, they are bound to disagree and some may even be misled…Getting stakeholders to agree on which data is important establishes a common source of truth to guide decisions and strategy.

More broadly, data should be available uniformly throughout an organization so all teams have access to the same information. The goal is outcomes, not ownership, and this may require a cultural shift that loosens the grip on data among senior managers.

Decisions Precede Data – this is the aforementioned scenario where you make a decision and then seek the data that confirms you are correct.

Employees Have Misguided Incentives – For many organizations this could be a focus on an ingrained subscription model or on optimizing the experience for high level donors which disincentivizes flex/single/group sales or cultivating young professional social groups or significantly changing the way people experience the organization. The way some museums in Philadelphia are using guest docents or with the same cultural background as the artifacts on display immediately comes to mind.

Some Things To Consider Before Getting In To Performance Streaming

by:

Joe Patti

The challenges of Covid-19 raise for arts organizations has resulted in a number of valuable resources being produced. When I came across them, I am often torn between writing about them on this blog and creating a post for ArtsHacker. Since the latter is more specifically focused on resources for arts professionals, I often opt to write something up for that site.

Let me tell you, it often hurts me to make this decision because I am inevitably trying to find something to post about on Butts In The Seats and it means I gotta keep looking. But fortunately, I can point to the Arts Hacker article at a later time here.

That is a long way round of saying…I am going to be pointing you at a few ArtsHacker pieces I wrote over the next week or so, dear reader.

The most recent one is on the legal considerations for streaming content. I think I am pretty secure in saying that as revenue from live performance rights decline, organizations that administer performance rights are going to start paying closer attention to what is being performed in people’s living rooms.

The Alliance of Performing Arts Conferences issued a guide on The Legal Landscape of Live Streaming that covers a lot of the questions about livestreaming content as well as providing good information about what the pros and cons of different streaming services, depending on your goals and needs.

On the legal side, one of the first things you need to know is that your live performance license, whether it was for music, musicals, plays, etc doesn’t cover live streaming. Your live streaming license in turn doesn’t cover the rights to make a recording of your live stream available for later viewing. None of the above covers permission required from the content creators be they performers, designers, arrangers, etc., or the various unions that might be involved.

Since your streamed content is reaching a much larger audience than the room capacity of your venue, there may be profanity laws of other jurisdictions as well as intellectual property rights of any brands, logos, and trademarks which may appear to consider as well.

Check out my post and the guide for more info.

 

Legal Considerations For Live Streaming Performances

Marquee Messaging For Morale

by:

Joe Patti

A number of theaters around the country have started posting messages on their marquees to bolster the morale of their community. Here at my venue, we were trying to think of a message to post on our marquee so my marketing director did some research and gathered these images. I identified the ones I know or could figure out. I apologize for not knowing every place. I offer this as a bit of inspiration for other places that might want to do something similar.

I wanted to figure out messaging that was more tailored to our community. We discovered that Little Richard, who had been born here in Macon, had said “I love Macon. I love it better than anywhere I’ve ever been in my life,” so we came up with the following images. We had the images up on Friday, May 1 and then Little Richard died a week later which made the whole thing a little bittersweet for us.

The third screen about picking up the beat was something we developed in consultation with the local convention and visitors bureau.