Working Together

by:

Joe Patti

So today was my first day of work. I had already gone through the introductions and the paperwork filling out phase of the job over the course of the last week or so when I wandered on to campus to use the computers to search for housing, etc.

Today was taken up looking over the piles of papers and handbooks on my desk to find out what sort of job I actually agreed to do. Then there was the long discussions on what the heck it all meant. Fortunately, the interim director was available to discuss some of the more confusing parts.

One of the more confusing sections which was worth learning about was the way the various arts organizations on the islands work out block booking arrangements. The formed an organizations called the Performing Arts Presenters of Hawaii (PAPH) When they go to the booking conferences, one person concentrates on theatre offerings, another on dance, another on jazz, etc and reports back to the group on what they saw.

Later the members decide what acts they are interested in presenting and discuss who will approach the agents with the offer from the interested members of PAPH. They have worked out a whole system of how airfare, hotels, car rentals, etc and even assess a fee that is paid to the member who books the act on behalf of the others.

Not all members of the group participate equally or coordinate closely with the others and will in fact, make their own arrangements. However, the way the members coordinate to reduce their costs can provide a good example for others. The PAPH people do it out of necessity given that airfare adds so much more to the asking cost than someone driving through the region on the way to another gig might. So just think how much more mainland arts organizations could save if they coordinated so an artist was guaranteed work and had the hotels secured as she drove from Boston to NY to Philly to DC to Raleigh, etc.

One thing that surprised me too was that the PAPH members block booked within close proximity to each other. It stands to reason that an organization on Maui wouldn’t share the same audience as one on O’ahu. However, some of the acts my predecessor booked are performing one night for me and then on the other side of the island the next night. Now granted, it is a 45 minute to hour drive to the other venue even without traffic, but that was something that was really never done when I was on the mainland—and there are far more people in a 45 minute geographic radius on the mainland than on my island.

Somehow it works and it works well which again makes me suggest that other locales consider it too.

Back at the Keyboard

by:

Joe Patti

Okay faithful readers, I am back at the keyboard after my move to Hawaii. I haven’t offically started my job yet, but thanks to the help and support of the theatre staff, I have been able to use the office to store my shipped stuff and call around for apartments. I am in an apartment and making the usual arrangements to get phone, cable and electric hooked up.

One interesting observation I have made already is that the theatre is organized under the Office of Continuing Education rather than fine or liberal arts. This shows the orientation and focus of the theatre right off. The building is a tool for community outreach first and then a place where performances occur. From talking informally with the director of continuing education (he actually put me up in his apartment for a week while I was searching for a place to live) I have found him to be incredibly supportive of the people in his department and eager to empower them to do interesting things. He absolutely wants financial accountability, but he also wants to provide his charges with a great experience and the freedom to do a little experimentation. A lot of administrators say that, but are really more conservative in practice. I honestly think I may end up being too reserved for his vision.

It will be interesting to see how things develop. I hope not to end up working so hard I can’t write at all. I do expect I won’t be able to write as extensively as I did while unemployed. Some of the research and writing I did involved 3-5 hours of my time. On the other hand, I will be able to offer advice from a more practical stand point now.

Gainfully Employed!

by:

Joe Patti

Okay, I feel fairly confident in announcing that I am actually employed now! I will be flying out on July 28 to find an apartment and a car in Hawaii where I will be running a theatre for the University of Hawaii at the Leeward Community College campus.

Monday, the old computer will be a guest of UPS and on its way to Hawaii in advance of me. The blog may not be updated for a little while depending on how long it takes me to find a place to live and get internet service.

Finally, I will be able to put my mad theories into practice and sythesize more–all of which I will be reporting to you here. The 2004-2005 season is already pretty much selected, however I will be attending the Western Arts Alliance Conference in Spokane, WA this September to start booking for 2005-06 so look for me there!

Development or Destruction

by:

Joe Patti

USA Today featured an article about a performing arts center being constructed on the site of Woodstock in Bethel, NY.

I have been following the story for awhile now since I grew up near the site and my mother currently lives within 10 miles of the location. (In fact, I mentioned the arts center in an earlier entry) Artists rendition of the site may be found here.

As you might imagine, there are quite a few people who are not happy that the historic land is being torn up for an arts center. One such group is the Woodstock Preservation Alliance. Although they tend to paint Allan Geery as an evil developer, he and his foundation have been somewhat responsive to the desires of the group and eliminated 90% of the planned construction. (Noted in coverage of the hearings here and here) For their own part, the Alliance isn’t opposed to the performing arts center. They realize its economic value to the area. They just don’t want it on the historic portion of the fields.

If you read the articles and look at the website, it is clear that Woodstock really touched a great number of people. Many of those opposed to the development are from Canada and many parts of the US. In fact, some of those opposed didn’t even attend Woodstock which goes to show how the power of the event has captured people’s hearts and imaginations.

On the other hand, a lot of locals support the site. This may not be unexpected. They live in a section of the Catskill mountains that has been economically depressed since people from NYC stopped flocking to the local resorts in the summer. People are heading back to the mountains again, but it is to attend newly built casinos which is a mixed blessing at best.

The one glimmer of hope has come from Allan Gerry and his Sullivan Renaissance program. He has taken the money he got from selling his cable company to Time Warner and has the local communities competing with each other to get improvement grants. Stories about how communities have mobilized to meet this challenge can be found here, here, here.

So when the man who has helped bring some pride back to the county says he is going to use his money build a performing arts center that will feature the NY Philharmonic, it is hard not to be grateful. Even his opponents admit it will be beneficial to the community.

It is tough to identify the bad guy in this case. There are too many elements to address in this small space, but briefly– Yes, Woodstock is a potent and pivotal part of our history and should be preserved and treasured. On the other hand the developer has eliminated a huge part of his plans for the site. His plans will bring thousands of visitors to the historical site which he intends to preserve a large portion of and do homage to in a museum. The Gerry Foundation has shown itself to be reverent of the local communities so the project probably won’t be cheesy or Disneyfy the locale or Woodstock ’69.

Personally, I think I would prefer the amibiance his project will bring to the local community rather than the one the casinos are going to.