An article on Hyperallergic by Lise Ragbir observed that DEI hiring initiatives have started to wane in both the commercial and non-profit sector. There were a number of high profile, highly touted hires, a fair number of which were short lived due to lack of supportive infrastructure and culture.
I suspect and hope that while the overt and public efforts at DEI have faded from the news, there are organizations quietly working to advance these goals. Ragbir provides three suggestions for arts organization to employ which will generally contribute to the development of infrastructure and culture for all employees.
The first is to empower staff. The long term goal being the reduction of turn over by providing people with opportunities to take on responsibilities which feel meaningful. Though this may also mean increasing salaries as well, Ragbir notes that it often costs the organization twice as much to replace a good worker as paying them enough to retain them. Not replacing them at all can lead to increased employee dissatisfaction and departure.
The MMF data also suggests that one of the major sources of career dissatisfaction is a lack of opportunities for growth or career advancement. The report highlights the fact that “the path to promotion and seniority is long and uncertain, with an average tenure of 12 years in an institution before a promotion.” Now consider this: Entry-level workers, who make up the most diverse part of the museum workforce, are also on the longest track to promotion.
A second suggestion advocates for using interim leaders during times of transition to provide the breathing space to create more constructive policies and work culture before hiring a new permanent leader.
Jenni Kim has served in lead operating and administrative roles at major museums and cultural organizations, including MoMA PS1. In a recent email exchange, she and I discussed the value of interim leadership. Her take? “An interim leader can play the pivotal dual roles of 1) giving an organization time to find and transition to its next leader, and 2) handling immediate and short-term needs that clear the deck for the next leader.”
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“A leadership transition will likely change an organization in a number of ways, planned or not,” Kim said . “So, it is a critical moment for the board to reflect and assess their readiness to support and invest in setting-up new and diverse leaders for success.” Because diverse perspectives will lead us closer to fulfilling those loud calls for change.
The third suggestion might be a little controversial – empowering and training board members to help with the process. There are a lot of executive level leaders in non-profits who would prefer to keep board members at something of a remove from the organizational operations out of concern they may engage in micro-management. However, as Ragbir notes, there are greater expectations for accountability for cultural non-profits so this level of involvement may not be something arts leaders can avoid.
She notes that there is a lot of education and training of board members to prepare them for this level of involvement, but doesn’t link to any resources. I suspect this type of effort is so new there aren’t a lot of examples and case studies from which to draw. There is going to be some degree of finding ones way.
"Though while the author wishes they could buy it in Walmart..." Who is "they"? The kids? The author? Something else?…