Paula Vogel–Cool As Hell

by:

Joe Patti

As much as I enjoy James Lipton Inside the Actor’s Studio, his respectful posture and meticulous research just isn’t as fun as the host of Cool As Hell podcast’s energy and fearless interview style.

Last month Michael interviewed playwriting icon Paula Vogel and got her talking about the state of the arts in the U.S. Her ideas about getting kids doing art at the same age they are learning to kick a soccer ball and getting the arts back in schools might not be new.

She does say some interesting things about the messages artists are getting these days. Among them are her feelings that “Darwin and captialism are very bad models for art” (3:15) and art begets art.

I was also intrigued by her idea that even though she was a klutz, she had to learn to play sports and as a result, all athletes today, artists of the flesh she calls them, speak for her inner athlete. She hopes for the day that every creative artist speaks for the inner artist housed in everyone.

The thing I like about Michael is that he is respectful but he starts his interview right off saying he disagrees with some of her views. After he lets her explain, he then challenges her idealism and asks for practical ways for her vision to manifest in a country that isn’t likely to throw off the captialist model she says is unhealthy for the arts.

I don’t know that she really provides any new answers since she talks about going back to the 60s arts environment, calls for more money to fund the arts and art in schools. She does present some quotable moments like “art is a dog that you feed that bites you” (7:05) when arguing that art should challenge society but the agenda of arts funders is to make art palatable and devoid of challenge.

On the other hand, I give her credit for doing the interview. Podcasting being so new, I imagine it would be difficult to gauge how substantive a discussion she would be expected to have.

Phooey With Flaws

by:

Joe Patti

As a counterpoint to my entry yesterday, I offer this article from the Gotham Gazette.It was suggested to the editor Artsjournal.com by a reader. While the article is about being an artist in NYC, it obviously has lessons for any place in the country.

What really caught my eye was #7

7. Be Perfect
A composer who teaches on the faculty of the Juilliard School observed in a television documentary marking its centennial celebration that an average graduate of law school or medical school can still have a decent career. But it is not possible, he said, for a successful artist to be only average.

Here I am saying you shouldn’t be afraid to be flawed and I come across this article which I have to agree with that says only the perfect and sublime can ever expect to make enough to eat.

Going back to the Power of Flaws entry I cited yesterday, I wonder if it is the fault of the people who promote visual and performing arts (movies included). As Andrew Taylor says-

…read through most arts marketing materials or grant applications and what will you find? Perfection, triumph, success, and positive spin. Their performances are always exceptional. Their audiences are always ecstatic. Their reviews are always resounding (or mysteriously missing from the packet). Their communities are always connected and enthralled. In short, they are superhuman, disconnected, and insincere.

Is it any wonder then that people expect perfection from artists?

It is a viscious circle. You have to say you are wonderful because people expect you to be wonderful because you have been telling them how uniquely wonderful everything you do is.

Pure Genius!

by:

Joe Patti

The last two days I have been reading some of the most inspiring works of genius I have ever seen outside of my own website. You should really take a look.

Monday I read this and was astounded.

And just when I thought it couldn’t get any better, today brought even more delight.

I hear the writer is single. With a mind like that, I can’t imagine how that could be.

Regular readers of this blog will understand what I mean immediately.

I apologize to everyone else.

Edit: Drew McManus points out this comment on MyAuditions.com. Apparently, as good as I am, he is brilliant. Damn Him!

Mea Culpa

by:

Joe Patti

I do a lot of talking about what arts organizations should do and what policies they should adopt. People probably correctly assume the truth of the matter but I want to make it clear that if you were to walk into my theatre after reading my entries, you won’t see half of what I suggest being implemented.

Some of my ideas aren’t appropriate in this situation and others we lack the resources to effect. A few are gradually being developed. This year I managed to grow the volunteer corps large enough that I didn’t have to worry if enough would show up for the performances. Our first volunteer thank you event is this weekend. Next year I start my plan to arm them with info about the performances and instill the confidence to employ the material to answer patron questions.

I am not trying to fool myself or anyone else that I am completely walking the walk that I talk. I was clearly reminded of that this past Friday. As I noted earlier, the weekend before last essentially ended the presenting phase of our season. We spent last week changing the website and box office voicemail to reflect our current state. In the process, I had forgotten to mention the student production in the lab theatre on the ticket line voicemail.

A gentleman called my office to complain that if we had performances in the lab, we should have information about it and not have a message saying the season is over. While I know better, there was something about his tone that put me on the defensive and before I knew it, I was saying “But that show isn’t part of the season.”

While this is technically true, I obviously should have listed the performance and would have had I remembered to. The guy on the other end gave a grunt and was silent. I thought he hung up and as I started to hang up myself, I said damn if he isn’t right and I am a stubborn idiot.

Fortunately this was an inner dialogue because I suddenly heard a voice from the receiver. I raised it to my ear and beg his pardon and the gentleman says he will see us the next night and then actually does hang up.

I know it sounds like a 12 step program to say it is okay to make mistakes and try to do better one day at time, but you know it is true. Better to recognize it, develop a thicker skin and give the right answer the next time.

To give credit where credit is due, I thought that the inspiration for this mea culpa entry came from within as I drove home Friday night. I believe, rather, that it was planted subconsciously in my mind. As I made my daily visit to read The Artful Manager, I noticed last week’s entry on The Power of Flaws staring right at me. I didn’t remember reading it, but apparently something sunk in.

I guess I try to do a little practicing of some of the smart thing other people preach, too.