How Do Leaders Learn

by:

Joe Patti

Next week I will attending the Association of Performing Arts Presenters conference in NY. Unlike last year where I was there for a week attending the conference and Emerging Leadership Institute, this year I am in and out very quickly in a weekend. I cringe at the thought of all that time on the plane. Once I get there, I know I will wonder why I ever resisted the idea because I get so much out of the experience. I enjoy the opportunity to see showcases, talk to artists and learn about new trends and philosophies in performing arts.

One of my biggest motivations for attending this year is to continue what was started last year in having Emerging Leadership alumni involved at the conference and advance an agenda. We have meetings and social gatherings planned this year. We were going to sponsor an issues session until we learned that Andrew Taylor’s students at the Bolz Center were going to be presenting findings from a study that was generally aligned with our purpose.

We also encouraging our membership (and anyone else interested in the topic) to attend the session at the conference, Learning to Lead: Where And How to Arts Professionals Extend Their Knowledge and Advance Their Craft. Andrew has a post about it on his blog today. Even if you aren’t going to attend, if you are an arts leader, please consider filling out the 15 question survey that will inform the discussion and findings of the session.

The survey asks questions about where one goes looking for knowledge and help in solving problems. Though it could probably comprise an entire research session of its own, I would have liked to see some questions asking people to measure the value of the guidance/help they receive. From conversations I have had over the last year, I suspect a good many people would comment that they weren’t getting the guidance they needed or perhaps were having a hard time identifying a trustworthy person with whom to discuss their problems.

And though it wouldn’t be scientific and might have been a little more time consuming, it would have been interesting if they asked where people got their initial training in the arts. I am just curious how many people have formal education and how many were mentored and learned on the job.

In any case, while Andrew will undoubtedly have an entry discussing the session, I intend to do one as well to present my perspective. I usually try to avoid duplicating the subject of his posts since I assume we share a lot of readers. But I am making a very long flights in very short time. I am gonna earn the right to bloviate a little. I am sure my approach will differ from Taylor’s to some extent any way.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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