Culture May Often Be A Pawn, But The Importance Transcends

by:

Joe Patti

So in an illustration of the importance of the exercise of soft power, the U.S. has agreed to rejoin UNESCO and pay back dues to the tune of $600+ million. The US stopped paying dues in 2011 when Palestine was included as a member and the Trump administration decided to have the country withdraw entirely in 2017.

The U.S. return to UNESCO is meant to blunt China’s growing influence in the organization.

Undersecretary of State for Management John Bass said in March that the U.S. absence from UNESCO had strengthened China, and ”undercuts our ability to be as effective in promoting our vision of a free world.”

He said UNESCO was key in setting and shaping standards for technology and science teaching around the world, “so if we’re really serious about the digital-age competition with China … we can’t afford to be absent any longer.”

[…]

A UNESCO diplomat expressed hope that the return of the U.S. would bring “more ambition, and more serenity” — and energize programs to regulate artificial intelligence, educate girls in Afghanistan and chronicle victims of slavery in the Caribbean.

While arts and culture are unfortunately subject to a lot of politicization and you never want to be in a position where the only reason someone starts paying more attention to you because their rival is, the fact is, culture is a powerful asset both locally, nationally and internationally.

Having traveled around China, they very publicly cite the UNESCO Cultural Heritage designation for many places you might visit. Seemingly more so than any other place I have visited, even given that their millennia long history has provided many candidates for the designation. Since a cornerstone of China’s identity is tracing the length of their cultural lineage, it would make sense there is a focus on doing a good job of promoting any acknowledgement.

Likewise, UNESCO has expended great effort in cataloguing a lengthy list of intangible cultural heritage which encompass knowledge, practices, crafts and skills specific to communities around the world. For them, the acknowledgment of the importance of the preservation, practice, and transmission of this heritage is no less vindicating.

Photo of author
Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

Leave a Comment