Being In Charge When There Is No Benefit

by:

Joe Patti

Seth Godin recently made a post that resonated with me. He wrote about how in large organizations and bureaucracies things often fall through the cracks partially because no one is specifically in charge of something and people have learned not to exert themselves to take charge.

Sooner or later, we say, “I’d love to fix this, but I’m not in charge of that.”

Perhaps, though, we’ve been conditioned to say this even when it’s not true. Because being in charge means being responsible, and we may have learned that being on the hook is uncomfortable.

And so, sooner or later, no one is in charge.

But he says this sort of organizational inertia doesn’t just exist for large groups:

But it’s not just giant organizations. It’s the little pocket park down the street from you that no one takes the time to clean, or the missing stop sign that no one agitated to have replaced…

The good news is that we have the option to be responsible for far more than we imagine.

It was the bit about the packet park and stop sign that caught my attention. There is a crosswalk signal near work that was always a little askew. I assumed it was that way so that the sun wouldn’t completely wash out the visibility of the signal. However, after a recent wind storm one signal was pointed diagonally across the intersection and the other was best viewed from a coffee shop and bank about 30 feet before the intersection.

Last week I took pictures on the way back from lunch and sent an email to a city engineer and the whole thing was fixed before I left for work that evening.

Obviously, this is partially an illustration of it being important who you know. In this case I had been in numerous meetings with this particular city engineer discussing the impact of a major road construction project which is going to close our street and sidewalk and displace public art for a number of months.

At the time I also credited her being so friendly and accessible with contributing to the ability to increase the safety of that intersection. As much as I have met with her over the last year, if I hadn’t felt comfortable approaching her about the problem, it would still continue to be an issue today making that intersection more hazardous to cross, including for myself. I had no idea what city department handled crosswalk signals, but I knew she would know. In fact, since the signal is at the intersection of a state and city street, even she didn’t know which entity was responsible and had to ask.

As Godin writes, I contributed to the fix by taking responsibility myself. For years I have been inclined to pick up merchant’s A-frame signs that have fallen down on the sidewalk, flipped floor mats back into place so people wouldn’t slip or trip on them, and reconnected down spouts so that water wouldn’t run across the sidewalk creating a slip hazard.

For me it is a matter of a rising tide raises all boats. If the neighborhood I operate in thrives and is perceived as tidy and safe, that is to my benefit.

But as I note, even for someone inclined to do that lack of knowledge and a feeling that the solution is inaccessible will inhibit my action. So I think it isn’t just a matter of having the option to be responsible that Godin mentions, but also creating an environment organizationally and personally in which people feel comfortable approaching you looking for solutions to problems.

Photo of author
Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

Leave a Comment