Verdi At Bat

Maybe we should be keeping an eye on Tulsa Opera. Back in August I wrote about a film that was screened in my venue about Tulsa Opera’s casting a transgender person as Don Giovanni. A couple weeks ago, I saw link to an interview with Tulsa Opera Artistic Director Tobias Picker about a production of Rigoletto they staged in October on a baseball field so that they could have socially distanced performances.

The Tulsa Drillers minor league team offered the use of their field to the opera. Looking at the pictures attached to a review of the production, it looks like the opera embraced the opportunity fully. Performers strode out on to the field wielding baseball bats, toting beers and wearing jerseys proclaiming their membership in “The Dukes” baseball team.  The conductor wore a Maestro jersey.

The English translation appeared on the screen of the jumbotron and apparently the program consisted of “packs of trading cards that included photos of the cast, along with their operatic “stats” (character descriptions and past roles).” The Tulsa Driller’s announcer served as narrator.

I found a couple short Facebook videos of the production so you could see it in action, but there are also quite a few photos attached to the review.

It looks like Tulsa Opera only had one performance, but they managed to get an audience of 1800 people. (There are indications they had some preview performances so attendees at those performances might be part of their total production attendance.) The show was cut to a 90 minute performance and was followed by a fireworks display.

You have to applaud their creativity and efforts to find a way to mount a socially distanced production. I haven’t come across any definitive numbers indicating whether they attracted people who don’t normally attend opera.  I have to wonder if they found it rewarding enough to try something similar in the future.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

I am currently the Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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