It’s Still Not Ann Margaret

I am going on vacation for a couple weeks so the blog will be featuring some interesting posts from the archives.

Back in 2009 I wrote a lengthy article about a Mad Men episode where the ad agency reproduced the opening of Ann Margaret singing Bye, Bye Birdie, in order to sell Pepsi’s new Patio diet soda. Even though it was exactly what they asked for, the client felt there was something wrong. When they leave, one of the ad men points out what was wrong was that it wasn’t Ann Margaret singing the song.

One of the points I made at the time was that people often try to copy or adopt something that has emerged as wildly successful in the assumption that they will be able to cash in on that popularity. The problem is that they don’t comprehend the nuanced elements that made the original so successful.

What made this old post more timely is that last week, there was a similar illustration of the “its not Ann Margaret” effect. The recent release of a video game based on the Avengers: Endgame movie was widely panned because few of the characters in the video resembled the actors who had portrayed the heroes in movies over the last decade or so.

A somewhat different perspective on anticipating and managing expectations.

Many have pointed out that the console versions of their favourite characters do not resemble the Marvel Cinematic Universe superheroes. Custom playable identities have instead been created, meaning Robert Downey Jr’s Tony Stark, Chris Evans’ Captain America and more are nowhere to be seen.

“Wow, the new Avengers game looks… really bad,” wrote one fan on Twitter. Another said: “They can’t even use the Avenger’s theme song? Like WTF.”

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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