Dancin With Myself

Well here is one from the “Hope This Doesn’t Catch On” file. I got an email from the Orlando Fringe Festival last week promoting a Silent Rave. Essentially you show up with your iPod and dance while listening to the music you brought while other people do the same. You are literally dancing to your own drummer–at least if the music to which you are listening has drums.

They claim it is hot in Europe but the most information I can find is a Silent Rave this past April in NYC’s Union Square.

Here is some video from the event.

Interestingly enough, here is a video taken around the same time which the person decided to set to his own music. I understand that re-editing video is common practice but in this context it sort of comes off as being dissatisfied with the lack of audible music.

How prescient Billy Idol was when he made his “Dancing With Myself” video. I know the attraction of the gathering was more about the flashmob element than the actual promotion of isolating yourself in a crowd. Since NYC has really been cracking down on actual raves, driving up and deploying a sound system on the fly would have probably gotten the event shut down a lot faster because it more closely met the legal definition of a prohibited rave.

These things aside, it is a little disturbing that people are choosing to replicate an event where one insulates oneself from others. It seems something of an oxymoron that this communal event is possible because these isolating devices are ubiquitous. The fringe festival is probably sponsoring this to seem edgy and hip. Indeed, there is a lot of novelty inherent to the idea. This can be especially true if some strange synchronicity emerges between what you are listening to and how you see people around you are dancing.

But it is really in their best interests to promote the idea that you can enjoy yourself alone. Or even worse, that while at a public event you have license to act as the spirit moves you. The latter might be acceptable at a fringe festival more than a concert hall, but if people decide they will enjoy staying home more, all organizations potentially suffer.

People have a right to do what they will with their free time and aren’t responsible for keeping arts organizations in business. There is also nothing necessarily wrong with introversion. The concept may make you laugh, but I wonder if what we are seeing isn’t a sort of synthetic introversion. It just seems to me that in the past, real introverts have filled their time alone thinking and doing things. I won’t claim they have been any more productive than anyone else in advancing civilization. I am just concerned with the direction of things when people who are not nature introverts start to take on the behavior and fill the silence with iPods and text messaging.

The world needs its extroverts to conduct the interactions and exchanges of the world. While they may be real extroverted across these devices, it is as if they have hobbled themselves by removing the option of unmediated interactions. Instead of empowering the introverts by removing some of the opportunities to be socially inept, it looks like technologies are depowering extroverts.

Granted, I am not a social scientist with the training to observe and interpret these things. But I have admitted introverted tendencies. While my shopping experiences would be so much better if people would stay home, the fact that I am concerned that they are may be cause to worry. I see people doing what I did as a geeky teenager. Except I was doing it with books so I was at least getting smarter and growing my vocabulary. I don’t know if the same can be said of the situation today.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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2 thoughts on “Dancin With Myself”

  1. I have to admit that I don’t know enough about dance to know what impact modernism has had upon it. On a second reading of your comment, I get the sense you mean artists as a whole. Are you saying artists have less a sense of being part of an ensemble in a collaborative effort and are more concerned with their own advancement? I can’t think of a time in any of the arts disciplines where ego wasn’t motivating someone to place themselves above/apart from the rest.

    First thing you learn in theatre history- In the Beginning there was the Greek chorus and one guy stepped apart from it.

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