Audition is such a dirty word sometimes. But every orchestral performer has to go through the experience at one point or other. The other day I was exchanging audition stories with a couple of colleagues over dinner. This kind of conversation almost always goes the same direction: 1)Auditions are not always the best way to find a performer 2) When an orchestra decides not to hire anyone after a day of auditioning it is never good for the orchestra 3) There is not really any other fair way of selecting a future colleague of an ensemble.
Not Bad For a Local Boy Part 2
“Not bad for a local boy.” That was the phrase that stuck in my colleague’s mind from a conversation between students at the Aspen Music Festival and School when discussing violin soloist, Eugene Fodor. Hearing this story from my colleague, reminded me of some of the backhanded compliments musicians bestow on one another I have heard over time. They usually go something like this: I can’t believe how good that flute player is in that per service orchestra, she must be hating life, and she’s been there 20 years! [divider_flat] Did you hear … Continue Reading