When one thinks of violin concertos, it is easy to summon up the typical formulas and expectations. The concerto I will premiere next spring in Chattanooga is not going to be one of those. Last summer I mentioned to Hollywood film composer, George S. Clinton, that an Epic Western kind of violin concerto would be fun. He agreed and began formulating ideas. We chatted on the phone, brainstormed, shared what we liked and didn’t like about the typical concertos and were very much on the same page. The Rose of Sonora: A … Continue Reading
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