I love hypothetical questions! What if you find a violin and you are certain it is worth something? What if that violin owned by a famous person? And what if the original owner was connected to major historical event? It would be a no-lose investment, right?
Well you’d certainly be dancing the money dance if you thought you found the RMS Titanic bandmaster’s violin, the violin that was played while the ship sank. That is the claim is circulating the internet as of late.
But within a month of the first news release, serious questions of authenticity have surfaced, as well as questions from the curator of a Titanic museum.
As a violinist and a Titanic aficionado, I just want better proof than the auction house is providing. For example, it’s difficult to believe the instrument was plucked from the frigid waters of the North Atlantic and survived all of these years, all but forgotten, and in the condition of the instrument going up for auction.
Luckily, the answer is simple.
Let’s Conduct An Experiment
For 20 days, Titanic bandleader Wallace Hartley and the violin in question floated in the water until his body was recovered. I doubt an instrument could undergo those conditions and emerge in the shape of the one being auctioned and although I’m a professional violinist, I’m certainly not a luthier so my opinion is of limited value.
At the same time, I’m confident it wouldn’t be all that difficult to figure out.
Let’s take a violin of similar make, manufacture, and time period in playable condition, put it in a leather bag, tie it to a man sized weight with a life vest identical to the ones used on the Titanic, then toss the weight into the freezing salt water of the North Atlantic on this April 15th. Have the instrument retrieved on May 4th and see what sort of condition the instrument is really in.
Granted, folks who conduct experiments like this for a living will do a better job at putting together specific test conditions capable of making the results stand up to scrutiny (and I’d love to hear from anyone out there who is), but that’s probably not necessary.
Instead, let’s try to not get so wrapped up in authenticity that we forget to ask obvious questions. For example, if Hartley was like most violinists, he owned two violins. Most professional violinists own two violins or more, it’s handy to have a spare, and it wasn’t much different in Hartley’s era.
Has anyone even bothered to search records to determine if this instrument was simply Hartley’s other violin, left behind while he was away on the Titanic gig?
An Even Better Idea
Better yet, let’s forget the violin altogether and instead remember the loss of life. The violin’s value has trumped the value of human life and, at least according to White Star Lines, Wallace Hartley’s life.
Drew, I’m an e-friend of Holly Mulcahy, the one who initially twigged her to the story of the “Hartley violin.” I would like to invite you to review the three blogs on the subject which I posted on my website, here: http://www.danielallenbutler.org. There is a lot more going on in this story than Holly has had an opportunity to cover, and I believe that, as a professional musician, it will be of interest to you.
All the best,
Daniel Allen Butler
Dear Daniel, I believe you may want to reply to the link http://www.adaptistration.com/blog/2013/04/03/missing-the-obvious/
That will get to Drew faster.
Your blogs are excellent!
Sincerely,
Holly Mulcahy