Took Some Friends To the Orchestra

by:

Joe Patti

I am contributing to Drew McManus’ 2006 Take A Friend To The Orchestra Month . I took some friends yesterday and have been pondering throughout the day. Instead of making an entry today, I will be working on my contribution.

In the meantime, take a gander at today’s contribution by Alex Shapiro which seems to have elicited some good responses.

U2 Fans Can Love Ballet

by:

Joe Patti

Just as a follow up to my Does Bono Like Ballet entry. I did indeed take the plunge and use that approach in my ads (see below) and press releases.

I actually antagonized over that approach in my print ads because someone suggested that it might alienate U2 fans. You can be the judge, of course. I figured since it essentially complimented the fans for their good taste and didn’t automatically assume liking U2 and ballet were mutually exclusive, it wouldn’t raise too many hackles.

Still, I showed the ad around to people and asked their opinion. Most people though it was cool. The most extreme reaction was “What the F@%^?” from a guy who misread the ad, followed by a chuckle and a comment that it was a cool idea.

The guy who suggested the approach might alienate fans said I should run it by the people at the alternative weekly paper since they would be most plugged in. I didn’t actually run it by them, but did send the ad and press release well in advance and waited for a reaction.

Imagine my glee when I saw that they ran with the angle I cooked up in today’s edition. The writer sort of took off with the general ideas I introduced in my press release. Hopefully it will attract the paper’s readership to the show because right now sales are pretty much contained to the ballet audience.

My ad, however, didn’t appear in the paper. The publisher apologized and said it was in the first proof but accidentally got bumped on the second for a free ad. I was somewhat happy at not having to pay for the publicity until I remembered my friend’s suggestion that the staff of the paper would be a good judge of whether the approach was a good one or not. Suddenly I began to wonder if it was an accident after all…

Hmm, my attempt to set this as an image did not work too well. You can now view the ad here

The Great Pretenders

by:

Joe Patti

One of the entertaining activities the artistic director at a job I once held and I used to engage in was reading the solicitation faxes that came in. Some times the entertainment came from imagining the reactions our audience members would have if they ever saw some of these groups on stage. Other times the entertainment came when we saw that someone was trying to pass a group off as an iconic band.

As they say about spam emailing and telemarketing, these agents wouldn’t advertise if it didn’t work. After hearing a story on NPR today, I figured a caveat emptor entry might be a good idea. If you don’t follow the music world closely, you can end up thinking you are buying a performance by legends at bargain prices only to learn that you are getting what you paid for (if not less).

The NPR story was about “truth in music” laws popping up in some states saying people can’t use the name of iconic music groups unless there is an original member in the group. The story mentions The Platters prominently because in addition to some of the original members using the name, the impressario who developed them owns the rights to the name and sold it all over the place to people without any relation to the group at all.

Some groups it is fairly easy to know you aren’t getting the original group. The Glenn Miller Orchestra is one example. It doesn’t take much effort to realize the originals ain’t performing. There is a group performing under the same name in the UK and Germany, but again, it is tough to confuse which group you are about to see.

Other groups it is a little more difficult. For instance, WAR still tours. There were 8 original band members and about 35 other members throughout the years. Currently, keyboardist Lonnie Jordan is the only original member of the band still touring under the WAR name. Under the existing state laws, he is welcome to do so.

The question is, what constitutes an original member? Pete Best was the original drummer for The Beatles for two years, but outside of a Trivial Pursuit game, few would name him as such. Had the band been any less famous, he might have a case for touring with a band called The Beatles under the state laws. (Of course, this also assumes they retained ownership of their songs.)

The biggest impediment to anyone touring under a band name is someone with claim to the name complaining that they are misrepresenting themselves. Ray Manzarek and Robby Krieger, both very identifiable as members of The Doors have been forbidden to tour under The Doors name or even as The Doors of the 21st Century as a result of a suit by the third remaining member, John Densmore.

Ultimately, if you are thinking about presenting a famous act. It might behoove you to check the names of the people who performed on the best albums against the current list to determine just how famous the band remains.

As The Drill Spins

by:

Joe Patti

I have come to the conclusion that tartar control toothpaste does not operate as advertised. There is no other explanation for the inordinate amount of time the dental hygenist spent on my teeth today after all the dedicated brushing and flossing I do.

Reclining as I was gave me some time to ponder however.

One of the things I was pondering was The Artful Manager calling attention to a book excerpt by Guy Kawasaki. I especially liked Kawasaki’s concept of replacing mission statements with mantras. He is right on the money, I think, with all the reasons he gives for this.

I went to Kawasaki’s website intending to read the chapter Andrew Taylor was citing from. Instead, I got a little sidetracked and ended up reading a high school commencement speech Kawasaki gave a decade ago. It too has some interesting points, but the one I pondered whilst my teeth and gums were tortured was the anecdote about the ice harvesters. (#8 on his list of things for grads to do)

I actually cited this story about ice harvesters putting put out of business by ice makers who were put out of business by refrigerators back in August. While the guy who told the story to me came to less dire conclusions, he also delivered a message close to the one Kawasaki does.

You would think that the ice harvesters would see the advantages of ice making and adopt this technology. However, all they could think about was the known: better saws, better storage, better transportation.

Then you would think that the ice makers would see the advantages of refrigerators and adopt this technology. The truth is that the ice harvesters couldn’t embrace the unknown and jump their curve to the next curve.

Challenge the known and embrace the unknown, or you’ll be like the ice harvester and ice makers.

I tell you, this is one of the core concerns of my career. If this blog is a stool, the pursuit of how to successfully take what my readers and I are doing to the next stage is a leg. I am convinced I won’t really know the right steps to take until I look back on my life and identify what they were. Heck, the correct tactic might end up being something I write but don’t do that ends up inspiring someone else who pioneers the next phase.

Heck, this guy might represent that new place. He does a video blog on his commute to work and interviews people on his drive. According to a Boston Globe article he is absolutely dedicated to remaining within the constraints of his commute. He picks up interviewees on his normal route and the interview only lasts the duration of his drive.

It might be emulating and drawing inspiration from this sort of project which will form the building blocks of the next direction of things. Creators of art are always talking about communicating Truth with their work. These interviews during a drive in greater Boston get closer to reality TV than the edited to make it interesting versions we have on television today.

Will people grow disillusioned by the manipulated version of reality and flock to the theatre in droves? Probably not. Will the disillusioned defect in a large enough number to revitalize a reconfigured arts? Maybe.

Kawasaki says there is value in making an educated, well planned attempt.

Oh, by the way. I don’t have any cavities.