Art Is STILL Infecting My Brain

Over 9 years ago I wrote about a TED Talk given by Golan Levin where he was demonstrating technology that being used to generate images based on sound input. The things he was doing was fun to watch because it was so interactive for the individual. Now 10 years on, we might be a little more blase about it all.

The one part of his talk that caught my attention was a visualization they had created of Jaap Blonk performing Kurt Schwitters’ tone poem The Ursonate.

At the time I wrote,

Much to my surprise, the cadence of Blonk’s recitation ran around in my head for a few days after. I don’t know if it qualifies as an ear worm since I couldn’t tell you a single word. Though I could spout nonsense syllables in an approximation of Blonk’s performance.

The thing is, it is 10 years later and as soon as I read this entry, Blonk’s recitation started bouncing around in my head. I started trying to recite what I remembered. I want to say I did a good job of recreating what I recalled. It is hard to know what the standards for accurately reciting nonsense sounds are.

In the interests of infecting you, watch the TED Talk (Blonk’s piece starts around 6:30) or watch the full recording of Blonk below.

I keep using the term “infected”, but it will probably evoke the pleasure you experienced as a kid playing with blurting out a made-up language.

I wrote back in 2009,

“Listening to Blonk’s and some of Schwitters’ recitations today, I recognize just how fun language can be. (I haven’t listened to all the different recordings.) Blonk especially seems like he enjoys playing with the sounds, luxuriating in the pleasure of pronunciation and takes joy in the enthusiastic exclamations.”

There have been times when I realized I got yelled at for doing stuff as a kid that is deemed artistic when done by adults. A lot people post Picasso’s quote, ““Every child is an artist. The problem is how to remain an artist once he grows up.” It seems to me that the appellation “Artist” is the reward you get for reconnecting with the what you got punished for doing when you were a kid.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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