They Call Me…The Stabilizer

by:

Joe Patti

A couple weeks ago a job listing from Springboard for the Arts’ job board came across my Twitter feed simply listed as “Stabilizer.”

Intrigued, I followed the link and discovered that it was for the job as Climb Theatre’s accountant.

As you might imagine, many of the staff at Climb Theatre have non-traditional titles. While I wonder if “Leader of the Pack…Vroom, Vroom” might be a little too whimsical for the executive director and question how confident people might be at giving money to an organization with a “Gambling Manager” on the executive staff (Managing Director? CFO? Artistic Director?), I immediately liked most of the connotations associated with “Stabilizer.”

The only negative association I had was that the organization wasn’t fiscally stable and they were looking for someone to save them. But in the job description they say, “Happily, CLIMB’s financial position is quite solid and cash flow is not an issue.”

What I liked about the title was that it implied if you took the job, you would be an important part of the organization’s life rather than a functionary in the back office. The job description says that too, but that was the first impression I got directly from the job title.

The job title also hints that there is an attempt to make the job environment an interesting and enjoyable place to work.

Changing job title terminology may seem like an empty gesture in place of real change, and granted it often is intended to manipulate. However, there can be a difference in the way you feel about yourself as a result.

Would you rather be a sales clerk or sales associate even though the job is exactly the same? As a customer, do you think you would treat one a little differently than the other? The difference may be small, but they can accumulate over time to result in better esteem.

I am not advising a mass change of titles to make people feel better about their jobs. In performing arts organizations especially the performers and technicians get recognition and praise for executing a performance well. Directors, both administrative and artistic, get interviewed and asked to speak before crowds.

The back office people may know they are doing work that is important to the organization, but can easily feel they are interchangeable with any other accountant, human resource officer or receptionist in an organization where so many are recognized for specific and often unique contributions.

In small non-profits where rewards of any sort are especially hard to come by, it can be especially important to make everyone feel like they are an integral part of the staff who would be difficult to replace.

Crazy titles will certainly come across as disingenuous if it isn’t part of the existing organizational culture. Besides, something unique to your own business culture will go further in making someone feel they are unique.

And by the way, if the job sounds appealing to you, you have until June 10 to apply

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

2 thoughts on “They Call Me…The Stabilizer”

  1. Hello Joe,

    I’m speaking on behalf of CLIMB Theatre when I say that the reason we have someone called the “Gambling Manager” is because, like many non-profits in Minnesota, we have a charitable gambling department. Thanks for noticing us!

    Reply
    • Ah! Thanks for the clarification Julie. Except that the POET and PEP jobs looked to be artistic, I was half thinking gambling manager was something related to taking chances artistically and so was perhaps the artistic director.

      Reply

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