In A World of Sameness, This Movie Stands Out (Just Like The 1000 Before)

For the next week and a half or so I am enjoying films at the Hawaii International Film Festival. I write a little bit about my experiences every year, but what has struck me this year is a realization about just how hard it is to make a film/performance/whatever sound distinctive in a short space.

It doesn’t matter whether you are writing for the limits of a brochure or have the relative freedom of a web page, peoples’ attention spans dictate that you make your point quickly, succinctly and compellingly.

Now that I have been attending for a few years, I have started to recognize that movie about the quirky characters in the fashionable district of Taipei sounds a lot like the movie last year about the quirky characters gathered in the night market of Taipei.

I wonder if there is enough difference between the documentary about the 60 year old guy trying to find a Chinese wife and the fictional account of the 38 year old Danish bodybuilder who goes to Thailand to find a wife, that I will want to see both of them.

Part of the problem is, regardless of how good a writer you are, people bring certain assumptions to new experiences which they used to place the new thing into a context they can process. Just like the person describing food that someone else has never eaten, the description writer also has to provide some touchstones that will help people decide whether they will enjoy the experience.

Being able to post video on YouTube helps to provide some of the additional information people need to make a decision, but still it is difficult. The aforementioned movies about finding Asian brides for example, there is clearly a lot of authenticity and sincerity present in both the documentary, Seeking Asian Female and the Danish movie, Teddy Bear, but we all know that movie trailers don’t always give the best indication.

How many times have you realized all the best moments of a film were in the trailer? How many times have you recognized the restrictions of a movie trailer didn’t adequately prepare you for just how good the movie would be. I haven’t seen Seeking Asian Female yet, but let me tell you, the Teddy Bear trailer doesn’t do the movie justice. Bodybuilder/actor Kim Kold did a great job portraying the subtleties of the Dennis character.

I am not sure there is any clear cut instructions to give about how to make every experience seem distinct, both due to the way the information is received and because there are really only so many basic plots in the world.

Creating a history of trust with your audiences is one solution. One of the most gratifying comments I get from audiences is that they weren’t sure about the show but they came because they knew we always do great stuff.

It takes a lot of honesty to earn that trust. You can’t barrage people with quotes and language that basically promises a sublime, life changing experience every single time. Not all experiences are equally sublime and people will quickly realize their lives haven’t really changed all that much.

And ultimately most audiences, including mine, are comprised of people who attend too infrequently for us to have developed that degree of trust.

So my conclusion at this juncture is that we must labor on making everything sound interesting in the short space of time we have been allowed and hope we can improve our ability make a compelling case.

By the way, this post title is a reference to the sentiments expressed by these guys:

[youtube http://www.youtube.com/watch?v=JQRtuxdfQHw&w=420&h=315]

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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