More Tales From the Furniture Store

So last Thursday I had a really excellent dinner at a furniture store.

Long time readers will remember when I blogged about the opening of this store about two years ago. I was a little skeptical about a situation where a high end furniture store had a wine bar, high end restaurant and theatre in it. I have actually been to a couple events at the wine bar and theatre before but this was the first time I had dinner at the restaurant. It was really quite excellent. The highlight for me was an intermezzo of wasabi and apple sorbert. Just when you thought the wasabi was going to be too much, the coolness and sweetness turned things around and left your mouth with a taste of honey.

I was there lending my support for a fundraiser a performance group partner was having in order to raise money for a production we are premiering next October. The meal was preceded by a piece from the show we are putting together. It was my favorite situation. I got to have people tell me how wonderful and inspiring the show appeared to be and congratulate me. Followed by a really good meal. I didn’t have to worry about organizing the experience. I’ll find out how successful the appeal packets were in a few weeks.

But aside from that there was something that caught my eye about the activities at the facility. One of the women at my table mentioned her daughter said the bars and restaurants were a hot place on the weekends and there were lines out the door. I knew they kept the theatre busy with fashion shows and other events. One thing I didn’t realize until that evening was that they have a game night one Tuesday each month. They bill it as a “netplaying” opportunity. As an alternative to normal networking events, you attend and play board games or Wii video games at one of 12 stations set up around the theatre. (I should mention it is something of a black box theatre space with no permanent seating.)

It is free though you need to purchase at least one drink or something to eat. I am guessing the program has been at least marginally successful because they are advertising a new time and new sponsors. I am not sure if the sponsors help provide the games or the prizes (or both).

I saw this netplaying program and started thinking about the networking/attract new audiences type events that arts organizations sponsor. The approach has had mixed results from what I have read and thus has been of dubious value. My suspicion is that those who have had poor results have been doing it solely to increase their audiences rather than provide something that is needed and valued by their community.

I have no doubt that the social side of the building is designed with the intent of having attendees patronize the furniture side. I am not going to attribute high ideals to the business. The bars and restaurants are designed to appeal to young professionals. At the moment, they may be spending all their money on the clothes to wear to the bar and the wine they consume there while their apartment is a dump. It won’t always be that way though and when the young hipsters are ready to furnish an apartment, they are likely to at least look through the store there. In the meantime, they are in the building having fun and bringing their friends.

The arts organization which isn’t quite sure if it will make its budget from year to year may not have the institutional patience to take such a long view. In their heart of hearts, they may be whispering “If you build it, they will come and they will donate money” and hope it will all happen in the course of a season.

If you look at my previous entry and then look at the events they have running each month now, you will see that there is a pretty significant difference in how they are using their space. No jazz or film nights, not really too many family oriented events, few seminars on topics like micro-enterprise.

They started out with an idea of what might be useful to the community and then made adjustments over time. They built their facility with the intent of providing services to a clientele that would purchase their furniture. How much more difficult must it be then for an arts organization to do the same in a facility that wasn’t built to enhance the lifestyle of a demographic that isn’t patronizing events held there?

And since the purpose of the organization probably never included providing ancillary services to woo new audiences, there isn’t likely to be a staff dedicated to that purpose who have been provided the support and resources to adjust programming to find the combination of services which is most appealing. The fact that some organizations experience success at all probably has as much to do with luck as sincerity, devotion, excellent planning and execution.

Probably the best approach would be to contract with external vendors. While it would require staff to monitor contracts and process payment/revenue splitting with the vendors, at least staff isn’t faced with fabricating services whole cloth. You also have the opportunity cancel those services which don’t seem to be valued and replace them with new ones. Staff will still be needed to coordinate experiences that are appropriate to the tenor of the organization preventing them from working on something more directly related to the core purpose. Leadership needs to recognize this when committing to what is likely to be a long term development process.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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