Theory Crashes Into Practice

by:

Joe Patti

Over on Fractured Atlas, Kamal Sinclair posted some of the responses they have been getting while researching the professional development needs for artists. The focus of the comments in this particular entry revolve around the frustration BFA and MFA students feel when they realize their formal education taught them how to be creative but not necessarily how to exist as a practicing artist and navigate their respective industries.

The entry contains about 10-15 quotes from graduates reflecting on how well or poorly their training program prepared them for careers in their fields. Hoping to provide incentive to read the entire entry, I will resist quoting some of the ones that resonate strongest with me here.

I will note that according to Sinclair, in the course of their research Fractured Atlas found that the problem may be that the training programs are slow to recognize the pressing need. “…sources imply that universities and colleges have a long history of resistance around educating artists in “the business.” The philosophy is that art should be taught for art’s sake.”

Sinclair lists some of the suggestions the respondents had about how to improve the situation. Again, you should read the entry to learn more. Fractured Atlas’ blogs contain a lot of great material on a daily basis and if I lose readership to them by pointing you there, I will still feel victory has been achieved.

I can’t help but cite one of the suggestions that leaped out and smashed me over the head with a frying pan– “Eliminate the myth of “getting discovered.” I tell you, that is just replete with all sorts of complexities. As much as training programs may perpetuate this, it is inherent in society at large. It manifests in shows like American Idol which allows people to believe they have a reasonable chance at becoming famous–the odds of which are only slightly better than winning the Powerball lottery.

Hopefully implicit in that comment was the idea that success can be defined as more than just a Broadway role, recording contract or big gallery show. Those that decide they are just biding their time in their current job until they are discovered are closing off other potential avenues for success. The current president of Valparaiso University went to grad school for acting and directing, for example. Seventeen years and three colleges ago when he was teaching me acting, I would never have figured he would end up as a university president. While a number of doors doubtless opened for him, I am sure he worked hard to position himself near those doorways.

Photo of author
Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

Leave a Comment