I Have To Wait Til I Am 60 To Get Some Respect?!

While catching up on the Fractured Atlas blog, I caught this link to WNYC’s Soundcheck Smackdown about the need for arts organizations to cultivate younger leaders. One of the first phrases tossed around was about being on the “wrong side of 60” meaning that the leaders of some of the most prestigious/large organizations need someone with the gravitas of experience leading things.

One interesting comment that was made was that the appointment of 27 year old Gustavo Dudamel as conductor of the L.A. Philharmonic might alienate the audience who would be concerned by his apparent lack of experience. It was immediately noted that given there is such a concern about the graying of orchestra audiences, you may not want to continue to cater to their perceptions. (Though they do fund the organization in the short term and that can’t be ignored.) Later in the program a caller noted that Zubin Mehta was only 26 when he became music director of the L.A. Philharmonic and host John Schaefer opined that perhaps LA has a talent for identifying promising leaders.

Some of the issues that come up in the discussion between Schaefer and guests Lee Rosenbaum and Barry Hessenius had to do with pay, both that younger people have an expectation of making more but will accept less than A – list leaders. Given the finite resources of the 90% of organizations that don’t operate at the level of the elites, it can be difficult to attract and retain talent. But this much we knew already, eh? Hessenius notes what I have discussed in earlier entries. The organizations with the most youth involvement are those who allow young people a greater role in decision making — something the arts haven’t done as a whole.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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