New Delivery System?

I came across this article on the Chronicle of Higher Education website discussing how students at the University of Texas-Austin have created “Swarmcasting” software that allows people to essentially run their own Internet television station. Seems to me it might present a possibility for organizations to broadcast their performances some day.

How to make money off it, I am not quite certain at this point. I imagine though that as since your digital cable line is the same one that delivers your highspeed cable modem, being able to watch broadcast over the internet on your 60 inch television isn’t that far off. Perhaps one day you will be able to choose between watching A Raisin in the Sun performed at Arena Stage for $60 or performed by the high school down the street for $5.

For those who are worried about piracy and reproduction of performances diluting their ability to get people to pay to view their work, the way the software delivers its product is unwieldly for use in filesharing networks. The software authors believe movies and audio distribution may take a form similar to the one they are creating in the future because of this hindering aspect.

It is hard to tell how exactly our dreams of the future will be executed. I came across this blog entry which recounts a speech made by President Lyndon Johnson when he signed the Public Broadcasting Act of 1967. The president seems rather prescient outlining his vision for the future since he describes what we know today as the Internet.

It bears mentioning that two years later on October 29, 1969, the first electronic message was sent over ARPANET, the precursor of the Internet. According to some accounts I read, Johnson set aside money in the 1968-69 Federal Budget to fund a project that emerged as ARPANET.

Alas, as visionary as he was, Johnson didn’t live long enough to see his dream really come into its own as it did when it surged into public life in the 1990s. If I am visionary about this application of technology for the dissemination of the arts, I hope I am around to see some of it. Though on the other hand, I am sure Johnson is happier not knowing that his vision is also the medium by which vast amounts of pornography is also available. I may be happier not seeing it, too.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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