Award for Most Organized Company Goes To…

In the spirit of my entry praising easy grant applicant processes, my award for the easiest, most organized company to work with this year goes to….Dayton Contemporary Dance Company.

Actually, I may be a bit too premature since they won’t arrive for another couple months. However, I have to say they are the most organized group I have worked with this year. Not only do I have the contracts and riders returned and signed, back in November they sent me a rooming list and a list of all those flying out so I can make interisland airline arrangements for them. They actually forgot they had been so efficient and in an attempt to be organized, sent me another copy this week.

Actually, truth be told, they are almost frighteningly well organized. They have been ready to have a discussion about outreach programs with me since the fall and have been eager to set up a call with their artistic director to make sure the outreach program suits my needs.

This is all rather annoying–I am used to be feeling smug and superior to the performers I have contracted by being more organized than they. I am usually the one asking for information and having people get back to me!

Having the illusion that I am better than everyone else is the only bright spot of my day that makes all the crap I face tolerable! Damn them for stealing that from me!!!

Hee hee, this is kinda fun. Though it does occur to me that we haven’t discussed catering yet broaching that subject with them tomorrow will allow me to salvage a little arrogance.

In any case, the old adage that forewarned is forearmed is so very true when you are presenting performances. Knowing stuff like this so far in advance makes doing a show so much easier — unless you have no intention of providing what the performer asks for and like to take advantage of lack of organization to plead ignorance.

So far, DCDC is a model of organization and professionalism and I would recommend them on that basis alone. However, I will try to remember to do a follow up report on them in April.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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