Plugging the Holes before Filling the Barrel – part 1- “Re-programming the Audience”

I am sick and tired of hearing that marketing is to blame when subscriptions fall.  We need to be honest with ourselves, if someone is already in a seat in our hall, then if they don’t come back it’s not because of the paper thickness of the season brochure!   For whatever reason we are not engaging them by what we are doing or not doing on stage.  We can’t blame snow or parking either, if we meet someone we are really into, even if they live on Everest, we will find a way to get there!  Free valet parking on a clear warm day wont make them come if they are just not into us! One of our strategies here is to turn passive listeners into active participants in the programming process.

We decided to turn audience requests from being a gimmick into being a policy……..

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Coming Home Crazy……

Bill Holm is a Minnesota writer who penned a fabulous book several years ago called Coming Home Crazy. It is a collection of stories about the time that this 6’5″ descendant of the Icelandic warriors spent teaching English in the middle kingdom – China – during the mid ’80s. It’s fabulous, very intuitive and insightful, and an absolute must-read for anyone with an interest in the Land of the Dragon. It’s also the book I took on my recent vacation to Mexico.

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New Year’s Resolutions – Re-join the League….

and lose 20 pounds!

The Springfield Symphony was one of the 39 charter orchestras that started ASOL. Well they’ve now changed their name, and it’s my hope they’re not going to be “in a league of their own”. I don’t want to be anonymous in any survey, and since they are new again, I just want to give my wish or hope list for the League of American Orchestras…..

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Surprise Gifts of the Season….

Catching my breath from the busiest holiday concert season I have ever had, there were some unexpected moments in different performances that I will forever remember, moments that truly made me feel so lucky to be doing what I do….

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Go see Sweeney Todd – Sondheim should be on “the list”

Legitimacy in art has long been debated by intellectuals as to whether or not popularity equals legitimacy.  I have heard it bemoaned that there have been no Operas written in the past 40 to 50 years that have become part of the regular repertoire.  I would argue that the composer Stephen Sondheim like Gershwin and Bernstein before him has broken that Musical to Opera barrier even though he says he’s not a fan of Opera! For me Sweeney Todd is an Opera and Sondheim is a master composer who should be on “the list”….

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