Snapshot Of 2021 Arts Gives Hints About How We Got To Today

by:

Joe Patti

Last week, Sunil Iyengar, Director of Research and Analysis at the National Endowment for the Arts (NEA) was on the NEA’s  Quick Study podcast (transcript) talking about the state of the arts economy for 2021 based on data from the Bureau of Economic Analysis.  While we may all wish to push 2021 out of our memory, there was some interesting data that emerged after the first year plus of Covid, including some hints of decisions and trends here in 2023.

For instance:

Despite all the setbacks for the sector in the past few years, the arts value added in 2021 expanded to a record high of one trillion dollars, over one trillion actually, representing 4.4 percent of GDP, and this growth rate more than doubles that of the US economy.  The economy as a whole grew by 5.9 percent versus 13.7 percent for arts and cultural industries.

The fine print to that is that a significant part of this growth was in category of web streaming and web publishing of arts content which moved to the top position among arts industries by size. Most of this activity was in the commercial rather than non-profit sector. Similarly, most of the categories that either regained or exceeded where they were in 2019 were in the commercial realm including “movies, broadcasting, creative advertising, and arts retail,…” Government run entities like schools, arts and cultural agencies, museums, libraries, cultural exhibits and parks also held relatively steady compared to their 2019 numbers.

Iyengar said the data showed other areas doing better than 2020, but not reaching the levels they were at in 2019.

At the top of that list I’d place a category called independent artists, writers, and performers. So these are establishments led by artists that have at least one employee on payroll. This industry gained from 2020, but at 33.5 billion is still under the 41 billion it contributed to GDP in 2019. Performing arts organizations also have not quite caught up with 2019 levels, though they’re nearly there, as is the case with fine arts schools, and custom architectural services such as woodwork and metal. Then there are a couple of industries that have been in persistent decline since 2020– arts related construction, and grant making services in the arts.

I didn’t know quite what to make of that last bit. Iyengar says these declines are based on economic activity. Given the amount of time it can take to get construction projects set into motion, it wouldn’t surprise me to learn that had not regained momentum after a pause. I am more concerned to think about what it means that grant making in the arts slowed in 2021. My read on that is that granting organizations were pulling back their giving in 2021. Though maybe with arts organizations closing, there were fewer recipients to whom to give?

An interesting observation Iyengar makes later is that while economic activity by self-employed workers is recognized as contributing to the Gross Domestic Product, the data does not distinguish the workers by industry. Iyengar says he suspects a lot of the growth in activity among arts industries is the result of cutting staff and using independent contractors.

“So what that means is I suspect that we’re seeing turbocharged growth for some arts industries even while they’ve lost workers since 2019, and that’s because they’re reverting to contractors such as self-employed artists and other workers who are not counted in the total employment figures here. So that might be why the total employment numbers are lower but we see economic growth still continuing.”

The Inalienable Right To Be Untalented

by:

Joe Patti

Busy into the evening tonight so I thought these brief thoughts from New Yorker film critic Pauline Kael, shared by Isaac Butler might be a good subject to ponder.

This resonates with the whole Pro-Am (Professional Amateurs) conversation from the early 2000 as well as the concept that everyone has the capacity to be creative.   There has always been a tension between the idea that insiders are gatekeeping the definition of who is an artist/creative and the concept that one should be investing time and energy into honing their abilities if they sincerely want to cultivate their creativity.

Kael notes that the untrained/no-talent has a capacity to verge off in interesting directions while having the freedom of producing something perfectly awful. The two states are not mutually exclusive since the germ of something interesting and inspired can be hidden amid the dross.

Muscle Memory In Dancing And Coding

by:

Joe Patti

While it has only been about six months since I shared a story about the Philadelphia based project DanceLogic which teaches girls to code through choreography, I saw another piece recently on the Dance Magazine site and wanted to call attention again because it is such a great connector of art and STEM.  There have been so many efforts to create a bridge between art and science that feel crammed together, but the way this program is structured makes the melding feel near effortless. (Though I don’t doubt there was as much perspiration as inspiration involved with the developing a successful process even before they started dancing.)

I would encourage reading my previous post based on a Chalkbeat article because it discusses mentorship and leadership outcomes from the program.  Dance Magazine has a bit more detail about the structure and process of the program.

During one of our recent classes, the girls were assigned to create a dance based off their knowledge and progress of the coding techniques. The coding suggestions were written on the board, and then we assembled the codes into actual choreography.

An example would be “move forward, toggle switch,” and the choreography entailed this demonstration. The girls had the opportunity to perform their creative code dance number for their parents during our midterm presentation.

I especially appreciated how they quoted DanceLogic co-founder Franklyn Athias about learning through failure and how developing muscle memory was important to both dancing and coding.

“Before long, the muscle memory kicks in and the student forgets how hard it was before. Coding is the same thing. Learning the syntax of coding is not a natural thing. Repetition is what makes you good at it. After learning the first programming language, the students can learn other programming languages because it becomes much easier.”

Will Augmented Reality For Cooking Provide A Successful Application For Opera Notes?

by:

Joe Patti

Rainer Glaap recently posted a story about Deutsche Oper am Rhein’s (German Opera on the Rhein) partnership with Vodaphone to offer augmented information about the opera’s production of “Die tote Stadt” (Dead City) in April. (Use Chrome browser or pop the link into Google translate to translate from German.)

I have written about the use of augmented reality devices to interact with art as well as long running projects to provide commentary for classical music concerts and opera. There hasn’t really been any leading technology that has emerged and been adopted to provide these services, but I am always interested to see what people have in the works.

The opera house has set aside 30 seats in the 2nd tier, that is where the 5G reception is best, for people who wish to use the glasses.

According to the article Vodaphone has already used this technology for football/soccer games, providing insight into a chef’s kitchen as he cooks, and neurosurgery procedures.  Given the wide use of the technology across different industries and practices, I would think this product might have the best chance of success. They need to solve problems associated with providing supporting information and visuals to people viewing action on a broad football pitch as well as extreme close-ups in surgery. The equipment needs to operate effectively outdoors in weather and in the steamy chaos of a restaurant kitchen.

I expect they might be able to draw lessons from the different arenas of application to provide information people didn’t know they wanted. Information streams that football fans want by default may enhance the experience of opera goers. On the other hand, examining how people developed superb knife skills will be equally valued by those interested in cooking and surgery.