Where Is Your Favorite Podcast Getting Its Material?

by:

Joe Patti

h/t to Isaac Butler who retweeted a somewhat horrifying thread written by author Brendan Koerner recounting how one of his Atlantic articles, two of his books and a WIRED piece he authored have been ripped off by podcasters.

Koerner recounts how the person who created a podcast based on his Atlantic article blatantly told him he was going to rip it off.

A couple people Koerner confronts do give some cursory acknowledgements. He feels it is insufficient, but doesn’t have the energy to fight all these battles.

Given the ever broadening proliferation of podcasts, this is going to be something to which to pay attention. People want to jump on the wave but if they don’t have original material to share, apparently they don’t have many scruples about stealing it.

I suspect we are going to see people getting paid speaking engagements or interest in developing expanded work based on their podcasts only to find there are credible claims of plagiarism and theft.

But even if it goes no further than podcast episodes, as Koerner points out, people are creating ad revenue supported episodes that compete with his books and spoil the plot twists in his writing.

Can Annotated Press Releases Be A Good Communication Tool?

by:

Joe Patti

Last week Aubrey Bergauer made the following post calling the attention of arts organizations to an annotated press release put out by the financial company Ellevest announcing their success in raising $53 million.

While there were some silly annotations like calling Bankrate “smarties” for naming Ellevest “the #1 mission-driven investment offering,” on the whole the annotations were used to provide deeper perspective on the effort that went into raising those funds and telling Ellevest’s story.

For example, the annotation stating Ellevest is funded by 360 women and underrepresented investors revealed:

“I get the game on these raise announcements. I know what the narrative is “supposed” to be: that institutions were throwing money at us to invest in Ellevest.

What really happened: As we began our raise, we had dozens and dozens (and dozens) of meetings with potential investors, and they were going … fine. Fine to good, in fact.

And then … the women showed up.

Caroline Lewis, of Rogue Ventures, heard about our raise and contacted us. … Then, so did Jesse Draper at Halogen Ventures. And so did Jenny Abramson at Rethink Impact. And so did a number of others.

This opened up our funding round to these underrepresented investors — for them to support us (by funding the company), and, we hope, for us to support them (by working hard to deliver a strong return and build their track records). …

The annotation quoting Caroline Lewis saying there is a need for financial products that serve women stated:

“Like, actually serve women. Not just market to women. And not just be a pinkwashed version of your father’s financial advisor…”

The annotated format serves multiple purposes. For those that just want something formatted for publication to quickly copy and paste, there is the surface text. For those that want the deeper story about the challenges and process, the annotations provide threads to follow. The format opens up all sorts of possibilities.

A release about a milestone anniversary of your organization may list all the people who performed for you over the years, but an annotation on some of those artists might note that the trumpet player in the band met his wife at a performance, settled down in the community and now their daughter is the executive director.

You may send out a release acknowledging that dozens of people worked thousands of hours over the course of a year and a half to implement your equity and diversity policy and practices. You may not be able to list everyone in the press release, but you can include them in an annotation.

Obviously, the biggest issue is that an annotated press release is only available on a web format. You can’t squeeze all that into a PDF or Word document emailed to a media outlet. On the other hand, people are getting their information from traditional media outlets less and less frequently so there is a good chance to get eyeballs on your press release by linking to it via social media posts.

People are able to consume as much or as little additional information as they may like. That way you can keep the details short and sweet for people with passing interest or short attention spans, but let those who are really invested and interested in your organization feel like they are in the know by digging into the tidbits in every annotation.

If I recall correctly, it is relatively easy to include annotations on a number of web and blog platforms like WordPress. I thought my blog had that option so I could illustrate, but since I didn’t use it much I suspect it disappeared during an update years ago.

Artist Coding Switch Code Switch

by:

Joe Patti

A couple weeks ago there was an article in the L.A. Times about Artists Who Code, an organization created after the pandemic hit by two Broadway performers to help artists transition into careers in coding. The two were a married couple who were having difficulty seeing the possibility of creating a stable life.

“With every big Broadway credit that I earned and the higher the ladder I climbed, I actually did an analysis; I saw my net worth going down,” she says. “I felt less and less powerful with each year I spent in the industry continuing to audition, and feeling things like typecasting and constant unemployment, and many physical injuries — it just all became very frustrating.”

Catherine Ricafort McCreary and Scott McCreary had enrolled in a coding boot camp in 2018 and had started transitioning to coding jobs when the pandemic hit. Seeing their friends in the arts struggling during the pandemic, they created Artists Who Code as a way to provide direction and support to those seeking to transition to coding.

Ricafort McCreary and McCreary built a free mini-curriculum of resources for Artists Who Code. These include advising members on how to choose a coding boot camp, setting up a mentorship program to help artists in different phases of their coding journey and offering advice on the job search and nailing technical interviews.

[…]

“It’s like a code switch. As an artist, you don’t know what a Google Calendar invite is,” McCreary says. “Absorbing the etiquette of this new world and knowing what is appropriate and what’s not and how to reach out to people, and how to advocate for yourself and how to communicate the skills that you as an artist bring to the table.”

In the early days of Artists Who Code, the couple worked to find ways to walk through technical concepts and jargon for those who were unfamiliar.

[…]

For Ricafort McCreary and McCreary, one of the most crucial aspects of Artists Who Code is the formation of a community to help artists navigate the identity crisis that often comes with changing careers. Making a new résumé is particularly painful; much of the feedback they have received, and have given, is to minimize their achievements in the arts to make space for discussing their expertise in, say, engineering. “It feels like that’s your soul and you’re crushing it and making space for this other thing,” McCreary says.

As I was reading this, I was thinking that Drew McManus might find people in this group to be helpful. As an artist who codes himself, he founded Venture Industries which provides a lot of technical services for artists and arts organizations. He has used me as a guinea pig on a couple of his projects and the user experience elements seem to be among the earliest considerations he addresses in the creation of new products.

That may be one of the competitive advantages artists have in programming. Something might work well as designed, but if people are reluctant to use it because the navigation isn’t intuitive, then it will have a difficult time being successful. And if your organization has chosen to use that service for ticket sales, donations, website, etc., poor UX design can be detrimental to the relationship you are trying to develop.

We hired someone with an artistic background a few months back and were teaching him how to use one of our pieces of software. Within the first two hours he blurted out that the UX design was awful. UX is not a niche terminology only shared by designers and software engineers. People are becoming increasingly aware of it and its value.

May Have Spoken Too Soon About Salary Transparency Efforts

by:

Joe Patti

Apropos to my post yesterday about New York City requiring employers to list their salary range starting next month, I was happy to Vu Le’s tweet about Washington State passing a similar law.

However, there was bit of a “maybe I spoke too soon..” moment at the end of the Seattle Times article which mentioned that the NYC law may be amended before it goes into effect. Sure enough, two days ago The City reported that amendments are being introduced which may create loopholes and delay implementation until November.

“While the amendments are being sold as innocuous tweaks, when you read them closely they would essentially undo much of [the new law],” said Seher Khawaja, senior counsel for Legal Momentum, a national advocacy group for girls and women. “We think it would really undermine the impact of the law by excluding a large sector of New York’s workforce from the protections.”

One of the people quoted in the article represents a business group in NYC. Her rationale for not publicizing salary ranges because it might lead to salary inflation sounds a little flimsy given that the salary and compensation packages of CEOs and others have continued out of proportion to that of the employees despite not being publicized.

Among the other concerns, she said larger businesses risk getting out-bid by competitors if they make their salary ceilings public. She said the public postings could also spark salary inflation during a hiring crunch when current workers see a maximum posted that’s much higher than what it’s been historically.

The article about the transparency law in Washington notes that it doesn’t go into effect for another 10 months. Given that NYC’s law is facing revision only about a month out from its implementation is a warning to advocates to remain vigilant until the rules go into effect.  The Seattle Times piece quoted a business professor at University of Washington who observed it may take years for the effects of a law to be seen because inequities accumulate over people’s careers. How effective a law is at eliminating those inequities will require observation of years.