Strippers Organizing, But Not Unionizing In Minneapolis

by:

Joe Patti

Earlier this month I saw a news piece about strippers in Minneapolis organizing to form a guild in that city. Stories about people organizing to take collective action and engage in bargaining in industry segments you might expect often catch my eye. I have written about the unionization efforts at a strip club in Los Angeles that saw people join the Actors Equity union.

What is interesting in this case is that while the dancers in LA were fighting against being improperly categorized as independent contractors, the members of the Minneapolis Stripper Guild, which has more than 200 members and counting, values the independent contractor status. In their view, it is the dancers customers are loyal to and not the clubs. They value being able to choose where and when they work.

Among the Stripper Guild’s top issues:

-Increasing advocacy among dancers, who are all independent contractors working largely for national strip club chains.
-Educating dancers about their rights under Minneapolis’ Adult Entertainment Ordinance, passed in 2019.
-Exploring ways to collectively purchase health insurance.

[…]

The guild deviates from the traditional union structure because strippers value their independent contractor status and don’t want to become employees of clubs, Snow said. The freedom that comes with being a contractor allows dancers — many of whom are managing various disabilities — choose their workload.

“We think it’s super important for stripping to stay accessible, because it’s one of the safest forms of sex work,” said Snow. “Anyone who is excluded from being able to work at the clubs, that means they’re just working in more marginalized, less safe spaces.”

Securing collective health insurance is a big issue for the members. Because they are operating as independent contractors they can’t get employer provided coverage. Wearing high heels all night and performing athletic movements physically stresses their bodies leading many to seek massage and chiropractic care which they need to pay out of pocket.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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