Toward A More Shared Curation Experience

by:

Joe Patti

I’m not really a big fan of improv, but I was intrigued by the concept of a show called The Worst Cafe in the World, which has transferred from Belfast to Off-Broadway this month.

The show is described as:

The show actually gives audience members a menu of theatrical moments to choose from, and based on their selections, the cast will piece together the show. Menu items include an inspiring monologue, an improvisation calling for audience involvement and a digital experience focusing on the power of technology.

According to a press release, ticket holders should also expect different nightly specials to define their experience: think pop-up guests, delectable food and more. Even better, every guest will receive a complimentary beverage and snack upon entry—treats that sound even more exciting given that tickets only cost $25.

And I agree. All this for $25 in NYC? Amazing.

Granted, the concept isn’t really new or novel. I presented a concert nearly a decade ago where the singers provided a menu of songs the audience could choose from. It was around Christmas time so there was a good mix of operatic pieces along with sacred and secular carols. The menus were numbered so the production used a random number generator to determine what audience member got to choose the next song. I have seen groups use the choose your own aria format for fundraising events.

Despite this, I feel like this type of interactive option is under used for many performing arts events outside of improv. I am not sure why given that you can easily control the list from which people select in order to ensure a high quality experience. It is an opportunity to provide the experience of a shared curation and increase audience investment and involvement.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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