Solo Numbers Are Growing

by:

Joe Patti

NPR had a story earlier this month about theaters’ efforts to appeal to solo attendees. Apparently the Broadway League has noted that solo attendance during 2024-2025 season was double previous years.

The NPR story focuses mostly on the Solo Seat program at San Francisco’s Orpheum Theatre being run by ATG Entertainment that provides a discounted orchestra ticket, a pre-show mixer with other Solo Seaters, and a complimentary drink.

However, they emphasize, this is not a singles night:

“This is not ‘singles night,'” said Kane. “If a meaningful connection happens, that’s a bonus. But at the end of the day, it’s really about being comfortable going solo to a show and enjoying it with people who have that same experience.”

The goal of breaking down the stigma attached to attending events alone is mentioned a numbers of times by different people in the story.

Given the implication that this may be a growing social trend, it is probably worth beginning to consider how you might market your organization to create a greater appeal and sense of welcoming for solo visitors.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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