Should There Be More Discussion of Mid & Long Range Collective Advocacy Plans?

by:

Joe Patti

Oregon Arts Watch (h/t Artsjournal.com) provided some insight into a state advocacy group’s two year plan to propose a redesign of the state’s funding arts model in light of the national political environment.

Cultural Advocacy Coalition of Oregon is soliciting feedback through six in-person and one online forums and a survey of arts and cultural organizations around the state.

What caught my attention was the discussion of their advocacy schedule for 2026 and 20227 based on feedback they had received from the state legislature. I had not really seen a state advocacy group provide as much detail and insight about mid-range plans advocacy plans to its members.

Granted, the states in which I have lived may not have had legislative sessions whose lengths varied so greatly on alternating years as Oregon’s does.

But often communication from advocacy groups is along the lines of needing members to call/write representatives in the next two weeks about a specific bill and to turn out on advocacy day at the legislature. The effort in Oregon outlines what they are doing now and through 2026 in preparation for 2027.

According to Hildick, legislative leaders have said the 2026 session, which is limited to a maximum of 35 days, will not have enough time to consider any comprehensive reforms or programs, no matter how justified. That means the results of The Big/Rethink will be presented in 2027, when the semi-annual “long sessions” can last up to 160 days.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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