Giant Pencils As Creative Placemaking

by:

Joe Patti

Early last month I saw a story about a giant pencil being sharpened in a Minneapolis suburb. Apparently a few years back the owners of a storm damaged oak tree on their front lawn had the idea to have it sculpted into a giant No. 2 pencil. About four years ago the started to hold an annual party and ceremony where they sharpen the pencil with a giant eraser.

While I had taken note of it and had been amused, I didn’t really delve much deeper until earlier today when I mentioned the pencil to a co-worker who was also from the Minneapolis area.

We ended up watching a video made by one of the attendees and realized I clearly did not appreciate how big a deal the sharpening is.

Over the course of the video the crowd grows to the point where there were apparently 2000 people occupying the street and lawn of this residential neighborhood. There were bunches of people in pencil costumes and pencil caps. There was a marching band. A musical invocation by an alpine horn playing duo. Some of the pencils danced and did a trust fall off the porch of the house. The pencil was “interviewed” over a tin can phone strung between the porch and scaffold erected around it. People jockeyed to get pieces of the pencil shavings dropped to the lawn.

It was a great example of organic grassroots placemaking (none of that fake turf grassroots placemaking!). Around the 4:05 mark, the MC observed that Minneapolis punches above its weight in terms of arts and music.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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