Arts Can Still Be Part Of Your Identity Even After Practice Wanes

About 10 years ago I wrote about a TED talk Jamie Bennett made where he noted it was easier for people to identify themselves with athletes based on sports they may have actively played years ago than it was to call themselves artists even if they were currently relatively active in creative pursuits.

In the context of that talk, I was encouraged to see an article from Salon where a woman confirmed she still considered herself a dancer even though she didn’t actively practice as much as she once did.

Janine Kovac writes:

Can I be in a traditional marriage and still have a husband who does all the grocery shopping and all the dishes? Because I do.

When I had kids, I knew I’d never go back to dancing. Am I still a ballet dancer? I think so. In our marriage, my husband and I make all our decisions together, and yet, I have no financial independence. Are we still equals? You bet.

She goes on to cite the example of Ingrid Silva and Celia Fushille who paused their careers to have families and then returned to dancing, choreography, and artistic direction of a dance company.

She also mentions she is on her way to Berlin with her daughter and her friend to attend a dance intensive program which is actually cheaper than attending a similar program near her home in the US. Like her, her friend:

My friend is also a former dancer and mother of three. In her world, she is the stable paycheck, and it is her partner who does the household logistics. Her job flies her to Barcelona and Munich, and in her spare time, she started a ballet photography company. Her life looks very different from mine but she too, has it all. Wife. Mother. Artist.

Whether they passed on their interest to their kids or their kids helped to keep it alive in their parents, it doesn’t matter. I am encouraged that people with any story about people who continue to feel connected with earlier artistic practice.

Obviously, a few examples is not indicative of a trend of a shift in sentiment. But I do think the opportunity and availability of seeing people outside your immediate social circle on social media, videos, etc who are not necessarily full-blown celebrated professions continuing to engage in creative and artistic practice in some way will help people feel that it is valid to maintain their own practice as part of their identity.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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