Delay May Appear Wise, But Is The Outcome The Same?

Interesting short piece on the FastCompany website that points out the current uncertainty about the future created the the Covid-19 pandemic makes deferring on a decision seem the wise option, however there is always a cost associated with delaying on that decision. The author of the piece, Art Markman, says that because deferring the decision seems so attractive, people don’t actually think through whether the delay will make any difference or not. (my emphasis)

Leaders might think it prudent to wait for more information about the status of the pandemic before moving forward. However, it is always worth making a decision tree to determine whether a different decision would be reached in each of these conditions. Key leaders do not always take this step. In some cases, leaders might find that the best outcome is actually the same regardless of the status of the pandemic. In that case, deferring the decision would involve paying a cost to defer the decision in order to get information that does not change the decision that gets made. There was no reason to incur that cost.

I haven’t come up with a scenario other than capital improvements/repairs and staffing decisions in which this might apply to arts and cultural organizations. I may be too entrenched right now¬† in thinking about the pros and cons of re-opening venues in the context of economics and public perception/willingness to broaden my imagination. However, I figure some readers might be in situations where being reminded to make a decision tree might be useful for helping move things forward.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

I am currently the Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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