While You Worry About Business Slowing Down, Prepare For A Sudden Ramp Up

The Conversation site had an article about the impact of Covid-19 on entertainment venues and events last month. (h/t to Artsjournal.com)

Authors Chris Gibbs and Louis-Etienne Dubois urge event managers to be cautious about making decisions to lay off or idle staff.  You may have seen similar warnings in other places about losing people who represent institutional memory and crucial relationship points with audiences and donors. The authors additionally note that dismissing the wrong people may hinder responsiveness and agility when everyone ramps up their activity all at once.

Live events and entertainment are people-based businesses that rely on the creation of emotional experiences and human interactions. Shedding too many employees, or the wrong employees, may impede the ability to resume operations when the crisis ends.

The author of an article in Harvard Business Review about management in uncertain times also suggests taking pragmatic actions and cultivating emotional steadiness in order to support employees and make them feel better than doing nothing.

In addition, a common response to crisis is to maintain customer engagements so that they return when the conditions allow. This is even more critical now knowing that companies are likely to relaunch all at the same time and engage in a costly battle for audiences’ limited attention. Employees should be encouraged to keep their companies’ name out there by connecting with customers in surprising and unexpected ways.

Many organizations are already doing a lot in the way of providing content and other touch points which will help keep them at the forefront of people’s minds.

My staff has been having conversations trying to anticipate whether audiences will be clamoring for something to do as soon as restrictions are lifted or if they will be hesitant to venture out until a few weeks later. That is why I have been following Colleen Dilenschneider’s surveying on that question so closely.

The other thing we are concerned about is whether we will have enough stagehands to work larger events. Supermarkets and Amazon are looking for more employees. If people in our stagehand pool find work in these places and decide to stay once things loosen up, it will be great for them to have more consistent employment, but that will impact us.

And if there is a flurry of activity from summer concert series in the region trying to return to activity, we will be competing for staff against organizations with potentially deeper pockets than we possess. So even as we worry about how the epidemic is impacting current operations, we have to be thinking about all the implications a return to activity might hold.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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