Wherein I Muse About The Value of Self Investment

by:

Joe Patti

Recently I have been thinking back about different projects I have participated in over the last 10-15 years that I really found fulfilling. I invested a lot of time in those projects and didn’t really begrudge all the extra hours I put into those activities.

Since there certainly have been times that I resented the work I had to do on a project and all the extra hours they required, I thought maybe it was that I have matured in my outlook over time.

While it may be true that I am more mature now, I also realized that the common element in the projects I found fulfilling were ones that I had a hand in organizing.

The more I thought about my own experience, the more I recognized that the projects I most hated being involved in were those where someone else made the decisions, wrote the grants, decided on the execution, set the deadlines, determined who would be invited to participate, made me responsible for overseeing and running it all and then walked away until the opening ceremonies.

When you are low on the chain of command, you aren’t always in a position to have ownership on every aspect of decision making and much scope of control over the process. That is just the reality of entry level positions. Some of my bad experiences were a result of having a task re-delegated downward by someone else who was feeling just as dis-invested in the process as me. Sometimes the annoying program is caused by uncomfortable political pressure or board fiat.

Recalling these episodes in my career has just reinforced the importance of involving the people who will be handling the practical execution in the initial planning and decision making stages. Which is not to say that no action should be taken in the absence of full concurrence. People with the most accountability do need to make difficult policy and strategic decisions that may not meet with unified approval of the organization.

When it comes to the conversations about how it is going to be done and who is going to be involved, the people who are going to get their hands dirty need to be at the table. All the better if the people at the top who made the initial decision about direction are prepared to put their hands on the project, too.

Okay, so it is not news that you have to get buy-in from your team before undertaking a major initiative. It is one thing to hear or read advice on good organizational dynamics and another to recognize how they have manifested in your life.

It is just as bad to have a situation where someone is saying, well we wrote we would do it like this in the grant, so we have to do it this way. The grant should be written based on how the project team says it will all unfold.

Obviously, something similar applies for statements like “that is the way we have always done it,” and “that is industry standard.” Arts and cultural organizations need to employ a flexible approach in their processes. Call it the tail wagging the dog or the map is not the territory, you can’t let the customary procedures dictate the program.

Now on the flip side, I gotta acknowledge in the arts there is no lack of self-investment. People will pour a lot of themselves into a project for little or no reward, doing it for the love. If you hesitate, then maybe someone questions your investment. Maybe it is you. Are you really part of the team or are you just pretending?

Enough has been written on that subject that I don’t need to add more to it except to say that sort of (self)manipulation shouldn’t dictate the program either. You need to acknowledge your lack of investment and consider stepping away or saying no to begin with.

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Author
Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group (details).

My most recent role is as Theater Manager at the Rialto in Loveland, CO.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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