The Kids Are All Right

I am currently attending the Ohio Arts Presenters Network conference so I don’t have the time to write a lengthy post tonight.

However, one thing that impressed me (other than the fact they do the best job of feeding the attendees than any other conference I have attended). I have been to a number of conferences where the artists’ showcases were either only attended by conference attendees and showcases that admitted a public audience as well as the conference attendees.

This morning however, the conference scheduled all the youth/school performers back to back in a single block and then invited about 100 or so school kids to attend. The theatre director explained to the kids that they were going to see a new performer every 12 minutes and that their reaction would help people decide what performers were really good.

One of the agents commented how smart a move this was because these artists needed an audience of kids. Many of their high energy frantic performances would likely fall flat on an entirely all adult audience.

I will admit, the kids’ presence was helpful and from the comments we overheard while left, their evaluation about which performer was the best matched that of most of the agents and presenters I spoke with throughout the day.

With a lot of family shows, you have to ultimately convince the parents or teachers that the show is worth seeing because they control the money and transportation. However, the kids have both the power to influence the parents, and in this case, performing arts presenters, that something is worth seeing.

About Joe Patti

I have been writing Butts in the Seats (BitS) on topics of arts and cultural administration since 2004 (yikes!). Given the ever evolving concerns facing the sector, I have yet to exhaust the available subject matter. In addition to BitS, I am a founding contributor to the ArtsHacker (artshacker.com) website where I focus on topics related to boards, law, governance, policy and practice.

I am also an evangelist for the effort to Build Public Will For Arts and Culture being helmed by Arts Midwest and the Metropolitan Group. (http://www.creatingconnection.org/about/)

My most recent role was as Executive Director of the Grand Opera House in Macon, GA.

Among the things I am most proud are having produced an opera in the Hawaiian language and a dance drama about Hawaii's snow goddess Poli'ahu while working as a Theater Manager in Hawaii. Though there are many more highlights than there is space here to list.

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